Britain's domestic intelligence agencies maintained secret records on many left-wing writers after the First World War. Drawing on recently declassified material from 1930 to 1960, this revealing study examines how leading figures in Britain's literary scene fell under MI5 and Special Branch surveillance, and the surprising extent to which writers became willing participants in the world of covert intelligence and propaganda. Chapters devoted to W. H. Auden and his associates, theatre pioneers Ewan MacColl and Joan Littlewood, George Orwell and others describe methods used by MI5 to gather information through and about the cultural world. The book also investigates how these covert agencies assessed the political influence of such writers, providing scholars and students of twentieth-century British literature with an unprecedented account of clandestine operations in popular culture.
• Draws on an extensive range of intelligence agency material only newly released to the National Archives • Provides details of the British government's surveillance records compiled on many major authors • Explores the extent to which covert British agencies were involved in areas such as cultural monitoring, vetting and subsidy • Reveals previously hidden liaisons between important literary figures and covert government agencies
Contents
Abbreviations; Preface; 1. Intellectual and intelligence contexts, 1930–60; 2. The Auden circle; 3. Ewan MacColl, Joan Littlewood, and Theatre Workshop; 4. Arthur Koestler and George Orwell; Epilogue; Notes.
Reviews
'… a sober and scholarly attempt to tell the story straight.' Sam Leith, The Guardian
'Admirable scholarship …' New Statesman
'Groundbreaking …' Times Higher Education Supplement
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