Sophocles' Antigone is a touchstone in democratic, feminist and legal theory, and possibly the most commented upon play in the history of philosophy and political theory. Bonnie Honig's rereading of it therefore involves intervening in a host of literatures and unsettling many of their governing assumptions. Exploring the power of Antigone in a variety of political, cultural, and theoretical settings, Honig identifies the 'Antigone-effect' – which moves those who enlist Antigone for their politics from activism into lamentation. She argues that Antigone's own lamentations can be seen not just as signs of dissidence but rather as markers of a rival world view with its own sovereignty and vitality. Honig argues that the play does not offer simply a model for resistance politics or 'equal dignity in death', but a more positive politics of counter-sovereignty and solidarity which emphasizes equality in life.
• A new reading of an ancient tragedy – one that has implications for philosophy and political theory since Hegel • Examines current common understandings of the role of mothers and other female survivors of loss, as well as identifying the cultural-political benefits and limits of invoking Antigone in the context of maternal politics • Proposes new stagings and gives dramaturgical guidance for those interested in performance and media, while also looking at the politics of genre in theatre and film
Contents
Preface; Introduction; Part I. Interruption: Introduction to Part I: 1. Tragedy, maternalism, ethics: toward an agonistic humanism; 2. 'Antigone versus Oedipus', I: feminist theory and the turn to Antigone; 3. 'Antigone versus Oedipus', II: the directors' agon in Germany in Autumn; Part II. Conspiracy: Introduction to Part II: 4. Mourning, membership, and the politics of exception: plotting Creon's conspiracy with democracy; 5. From lamentation to logos: Antigone's conspiracy with language; 6. Sacrifice, sorority, integrity: Antigone's conspiracy with Ismene; Conclusion.
Reviews
Advance praise: 'Honig's sweeping consideration of how the 'Antigone' is read and misread offers us a new way to approach the pauses, the ellipses, and the frank interruptions that punctuate this classic text. We have all struggled so hard to make the words mean in this or that way that we have perhaps forgotten the more dramatic features of the text in which relationships rupture, words trail off, and events still language. This book offers a trenchant analysis of sovereignty, belonging, and freedom through a perspective at once dramatic, literary, and political. Honig's sustained engagement with contemporary criticism shows how important the figure and text of Antigone is for any effort to think about the risks and the necessity of contestatory democratic culture.' Judith Butler, University of California, Berkeley
Advance praise: 'Bonnie Honig provides a stunning, capacious and intensely 'political' reanimation of the 'Antigone'.' Simon Critchley, The New School for Social Research
Advance praise: 'Many books pride themselves on being 'provocative' - but this is the real thing! Engaged and engaging, sophisticated and polemical, Antigone, Interrupted interrupts the critical mainstream with real political urgency and edge.' Simon Goldhill, King's College, Cambridge
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