Looking for an examination copy?
This title is not currently available for examination. However, if you are interested in the title for your course we can consider offering an examination copy. To register your interest please contact [email protected] providing details of the course you are teaching.
The British Aesthetic Tradition: From Shaftesbury to Wittgenstein is the first single volume to offer readers a comprehensive and systematic history of aesthetics in Britain and the United States from its inception in the early eighteenth century to major developments in the late twentieth century. The book consists of an introduction and eight chapters, and is divided into three parts. The first part, The Age of Taste, covers the eighteenth-century approaches of internal sense theorists, imagination theorists, and associationists. The second, The Age of Romanticism, takes readers from debates over the picturesque through British Romanticism to late Victorian criticism. The third, The Age of Analysis, covers early twentieth-century theories of Formalism and Expressionism to conclude with Wittgenstein and a number of views inspired by his thought.Read more
- First book to offer a concise, systematic history of the British/American tradition of aesthetics from the eighteenth to the twentieth centuries
- Covers a great deal of material from philosophy and literature to art and art history, concentrating on primary literature
- Accessible to those without a detailed or technical background in philosophy, making it suitable for readers from a range of academic disciplines
Reviews & endorsements
"Costelloe's fine book splendidly refutes the alleged 'dreariness' of aesthetics. Uniquely, it welds the reflections of both artists and philosophers into a single continuous narrative, incorporating figures as diverse as Wordsworth and Wittgenstein."
Gordon Graham, Princeton Theological SeminarySee more reviews
"Timothy Costelloe's The British Aesthetic Tradition does what no other book I can think of does with respect to the history of aesthetics: it constructs a plausible and reliable context for reading works by Shaftesbury or Kames, say, alongside works by Frank Sibley or Ludwig Wittgenstein. Although the book is aware of a wider tradition outside the borders of Anglophone writing on the arts, it turns out that Costelloe's close focus on the British tradition yields considerable rewards. This book is set to become standard reading for courses on aesthetics."
Peter de Bolla, University of Cambridge
"The British Aesthetic Tradition is an important new study of the development of the discipline of aesthetics in the English-speaking world, forging connections hitherto unacknowledged, such as the relation between the eighteenth-century philosophers of taste and the Romantics. Tracing the story of aesthetics through Wittgenstein, Costelloe has constructed a narrative that will be admired and debated for decades. A singular achievement."
Noel Carroll, The Graduate Center, City University of New York
"[The British Aesthetic Tradition] articulates a line of inquiry that offers a capacious and suggestive account of how modern and eighteenth-century British aesthetics can be understood within a long and at times contentious tradition."
Theresa M. Kelley, Modern Philology
Not yet reviewed
Be the first to review
Review was not posted due to profanity×
- Date Published: March 2013
- format: Paperback
- isbn: 9780521734486
- length: 360 pages
- dimensions: 228 x 153 x 19 mm
- weight: 0.48kg
- contains: 10 b/w illus.
- availability: In stock
Table of Contents
Introduction: a brief history of 'aesthetics'
Part I. The Age of Taste:
1. Internal sense theorists
2. Imagination theorists
3. Associationist theorists
Part II. The Age of Romanticism:
4. The picturesque
5. Wordsworth and the early Romantics
6. Victorian criticism
Part III. The Age of Analysis:
7. Theories of expression
8. Wittgenstein and afterwards.
Sorry, this resource is locked
Please register or sign in to request access. If you are having problems accessing these resources please email [email protected]Register Sign in
You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner www.ebooks.com. Please see the permission section of the www.ebooks.com catalogue page for details of the print & copy limits on our eBooks.Continue ×