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The Struggle for Shakespeare's Text

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  • 2 tables
  • Page extent: 332 pages
  • Size: 228 x 152 mm
  • Weight: 0.7 kg

Library of Congress

  • Dewey number: 822.3/3
  • Dewey version: 22
  • LC Classification: PR3071 .E38 2010
  • LC Subject headings:
    • Shakespeare, William,--1564-1616--Criticism, Textual
    • Shakespeare, William,--1564-1616--Bibliography
    • Shakespeare, William,--1564-1616--Criticism and interpretation--History--20th century
    • Drama--Editing--History
    • Transmission of texts

Library of Congress Record

Hardback

 (ISBN-13: 9780521889179)

The Struggle for Shakespeare's Text
Cambridge University Press
9780521889179 - The Struggle for Shakespeare's Text - Twentieth-Century Editorial Theory and Practice - By Gabriel Egan
Index

Index

All plays that Shakespeare had a hand in are indexed under his name alone and where he is believed to have collaborated on a play his co-authors' contributions are separately indexed under their names. Early editions with uncertain relationships to Shakespeare plays (such as The Taming of a Shrew) are indexed under the names of their related Shakespeare plays.

accidentals 44–6, 67, 72, 88, 96, 138, 147, 150, 151, 171, 172, 174, 183, 261, 265

distinction from substantives 44, 45, 131, 171

philosophical meaning of 45

Act to Restrain Abuses of Players 1606 42, 53, 178, 243

actors’ names

in printed texts 28–9, 215

in theatrical manuscripts 49, 52, 215

actors’ parts 23, 24, 39, 54, 109, 165, 212, 225–6, 248

Adams, John Cranford, his Globe playhouse reconstruction 34

agreement-in-error as evidence of textual descent 33–5, 138, 142, 170, 244, 253

Alexander, Nigel 191

Alexander, Peter 108, 240, 246

his Complete Works edition of Shakespeare 250–1, 259

on the origins of the bad quartos of The Contention of York and Lancaster and Richard Duke of York 103, 104–6, 111, 113, 116

on the origins of The Taming of a Shrew 106–7, 123

Allde, Edward 201

Alleyn, Edward 105, 108

Allott, Robert

England's Parnassus 220

Alsop, Bernard 96

anti-theatrical bias of editors, alleged 41–2, 43, 65, 99, 112, 129, 181, 262, 263–4

Arden Shakespeare series 5, 115, 132, 181, 192, 211, 212, 215, 229, 241–6, 247, 251–4, 256, 261, 262, 267–70

Ariosto, Ludovico I Suppositi 106

Aristotle Metaphysics 45

Aspley, William 245

Auden, W. H 149

authorial papers 9, 14, 16, 17, 18, 19, 20, 21, 22, 23, 31, 37, 38, 39, 40, 41, 43, 44, 53, 54, 65, 66, 70, 88, 96, 112, 123, 132, 135, 139, 140, 143, 145, 146, 154, 155, 164, 165, 171, 172, 174, 176, 177, 178, 180, 181, 185, 186, 187, 188, 192, 205, 207, 217, 218, 221, 224, 245, 249, 252, 253, 257, 258, 261, 265

Greg's characterization of 25–8

signs of in printed texts 47–50, 162, 168–70, 172, 200, 214–15

treatment in the theatre of 14, 30–1, 32–3, 48, 50–3, 205, 263–4

bad quartos xi, 14–16, 33, 46, 99, 100, 101, 102, 103, 106, 109, 110, 111, 112, 113, 114, 116, 117, 118, 119, 121, 123, 127, 147, 164, 182, 185, 188, 190, 192, 198, 201, 215, 217, 218, 221, 223, 224, 237, 265, 266, 268, 269

Baender, Paul 87, 88, 131, 146, 148

Bald, R. C 63

Banks, Carol 204

Barish, Jonas A 254

Barnes, Barnabe The Devil's Charter 77, 216

Barthes, Roland 151

‘La mort de l’auteur’ (‘The Death of the Author’) 79, 84, 149

Bate, Jonathan 212, 268

Bawcutt, N. W 215–16, 223

Beaumont, Francis 8, 26, 119, 217, 221, 228, 255–6

Beaurline, L. A 255, 264

Bentley, G. E 216

The Profession of Dramatist in Shakespeare's Time 130, 228

Berger, Thomas L 94, 95, 183, 184

Berthoud, Jacques 257, 258

Bertram, Paul 184

Bevington, David 178, 184, 200, 240, 260, 261

Binns, James 77, 96, 122, 131

Birde, William 136, 199

Bjelland, Karen 195

Blake, William 149

Blayney, Peter W. M 75, 89, 90, 134, 193, 203, 219, 258

on the popularity of playbooks 198–9

refuted 199

revised Introduction to The Norton Facsimile of the First Folio of Shakespeare 258–9

The Texts of King Lear and Their Origins 158–9

Bodenham, John Bel-vedére or the Garden of the Muses 220

Bond, R. Warwick 245

Bond, William H 73

Bonian, Richard 183

book-keeper

See under prompter

Bowers, Fredson 8, 38, 47, 54, 58, 60, 61, 62, 63, 64, 65, 68, 69, 70, 71, 75, 76, 81, 82, 83, 85, 86, 87, 147, 149, 150, 152, 153, 158, 159, 166, 177, 195, 210, 225, 241, 254

Dramatic Works in the Beaumont and Fletcher Canon, The 255–6

his edition of Thomas Dekker 167

his review of Philip Gaskell, A New Introduction to Bibliography 89

On Editing Shakespeare and the Elizabethan Dramatists 65–8

Studies in Bibliography 54–8

Braunmuller, A. R 262

Bricmont, Jean 87

Brigstocke, W. Osborne 243

Brockbank, Philip 252, 253, 262–3, 264

Brome, Richard 119, 223

The Antipodes 216

Brooks, Harold F 251, 253

Brown, Arthur 18

Brown, John Russell 56, 167, 168, 252

Bruster, Douglas 199

Buc, George 135, 215, 223, 224, 242

Bulwer-Lytton, Edward Pelham 149

Burke, Edmund 85

Busby, John 242, 243

Butter, Nathaniel 183, 242

Byron, George Gordon 149

Cairncross, Andrew S 93, 98, 117, 170, 252–3

disregarding importance of agreement-in-error 34

Cambridge University Press 4, 10, 82, 85, 89, 159, 192

Cambridge–Macmillan Shakespeare edition of 1863–6 6–8, 9, 13, 241, 243, 244, 247, 248, 250, 251, 260

Cantrell, Paul L 56, 57

Carter, John 85

Case, R. H 241, 245, 246, 251

casting off manuscript copy 68, 90, 94, 97, 191, 267, 268

the advantages and disadvantages of doing so 73–5

Cauthen Junior, I. B 56

Chamberlain's/King's men playing company 14, 54, 91, 102, 103, 110, 122, 179, 208, 216, 217, 218, 219

Chambers, E. K 10, 17, 64, 110, 114, 124, 158, 248, 250

‘Disintegration of Shakespeare, The’ 108, 246

Elizabethan Stage, The 154

William Shakespeare: A Study of Facts and Problems 109

Chambers, R. W 205

Chapman, George 119, 140, 157

Charlemagne (anonymous) 156–8

Chaucer, Geoffrey 98

Chettle, Henry 127, 201, 202

Chinese Whispers, the children's game 1, 2, 4

Clare, Robert 194

Clark, W. G 6

Clayton, Thomas 135

co-authorship

See collaborative authorship of plays

Coghill, Nevill 130

Coleridge, S. T 228, 246

collaborative authorship of plays 226–9

Columbia University 54

compositors

Folio apprentice identified as ‘E’ 57, 92, 93, 98, 136, 138, 141, 142, 143, 145, 160, 208, 267

Folio man identified as ‘A’ 55, 56, 57, 92, 93, 96, 160, 171, 172, 173, 208

Folio man identified as ‘B’ 55, 57, 59, 67, 79, 80, 89, 90, 92, 93, 95, 98, 138, 141, 142, 143, 144, 145, 160, 175, 187, 208, 253, 267

his alleged carelessness 56, 58

disproved 96–7, 136, 269

Folio man identified as ‘C’ 57, 92, 93, 95, 160, 208

Folio man identified as ‘D’ 57, 92, 93, 95, 160, 208–9

Folio man identified as ‘F’ 92, 93, 208–9

Folio men identified as ‘H’, ‘I’, and ‘J’ 160, 171–2, 209, 256

identified by their psycho-mechanical habits 84, 92, 93, 95, 98, 159–62, 171, 267

identified by their spelling preferences

See spelling, used to identify compositors

man identified as Valentine Simmes's ‘A’ 92, 93, 95, 175

men identified as George Eld's ‘A’ and ‘B’ 94

men identified as James Roberts's ‘X’ and ‘Y’ 56–7, 68

concurrent printing of multiple books in a printshop 82, 84, 85, 89, 95, 96, 98, 159, 259

Condell, Henry 13, 14, 15, 19, 66, 69, 79, 205, 243, 244

Congreve, William 131

The Way of the World 151

continuous copy, the theory of 17, 18, 19, 22, 23, 25, 26, 52, 53, 65, 155, 156, 245, 248, 249

control text 40, 68, 172, 185, 210, 261

defined 171

Cooke, William 96

Copenhagen Interpretation of quantum mechanics 87

copyright 12, 96, 183

Cowl, R. P 245

Cox, John D 212, 214

Craig, Hardin 240

Craig, W. J 241–2, 245

Craik, T. W 253, 261, 268

Crane, Ralph 91, 92, 122, 165, 208–9, 214–15, 248

writing stage directions for The Tempest 176–7

Craven, Alan E 92, 93, 95, 175

Creede, Thomas 161

Cuningham, Henry 244

cutting of plays 18, 106, 113, 170, 203, 207, 221, 222–5

Daborne, Robert 16

letters to Philip Henslowe 26–7, 65

The Owl 27

Dam, B. A. P. van 104

Daniel, P. A 243, 248

proving order of composition of Q1/F Henry 5 103

Danter, John 218

David, Richard 252

Davidson, Adele 127

Davis, William 127

Davison, Peter 160, 257

responding to D. F. McKenzie's ‘Printers of the Mind’ 86–7, 95

Day, John, George Wilkins and William Rowley

The Travels of the Three English Brothers 20

de Grazia, Margreta 6, 163, 192–4, 195, 196, 197

‘Essential Shakespeare and the Material Book, The’ 154–5

Shakespeare Verbatim 194

de Grazia, Margreta and Peter Stallybrass ‘The Materiality of Shakespeare's Text’ 192–4, 202, 214

degressive principle 85, 202

Deighton, K 245

Dekker, Thomas 51, 119, 167

The Welsh Ambassador 51

DelVecchio, Doreen 264

Derrida, Jacques 153, 164, 195, 196, 197, 205, 227

Dick of Devonshire (anonymous) 51

Dickens, Charles 140

Dillon, Janette 191

DiPietro, Cary 10

division of King Lear into two plays

See under William Shakespeare, King Lear

Dobson, Michael 189, 191

Doran, Madeleine 107–8, 109, 110, 114, 115, 138, 254

Dorsch, T. S 252

Dowden, Edward 241, 242

Drakakis, John 203, 212

Dusinberre, Juliet 229

Duthie, George Ian 111, 113, 127, 191, 249, 250

Dutton, Richard 216–17

Early English Books Online (EEBO) database of printed book facsimiles xi, 192

Edmond Ironside (anonymous) 49

Edwards, Philip 161, 263–4

Einstein, Albert, his Theory of Relativity 87

Eld, George 94

Ellis-Fermor, Una 241, 251, 252

Erne, Lukas 119, 207, 213, 223, 229

‘Shakespeare and the Publication of his Plays’ 217–19

Shakespeare as Literary Dramatist 219–22

Evans, G. Blakemore 259–60

Evans, Herbert Arthur 243

Faithful Friends, The (anonymous) 39

false starts as signs of the author 47, 48, 52, 214–15, 268

Farmer, Alan B 199, 229

Fawcett, Thomas 96

Febvre, Lucien 9

Ferguson, W. Craig 92, 161

Field, Nathan 140

Fleeman, J. D 85

Fletcher, John 8, 26, 119, 140, 216, 217, 221, 226, 227, 228, 241, 255–6

Bonduca 25–6, 66, 205

The Honest Man's Fortune 49

Fletcher, John and Philip Massinger Sir John van Olden Barnavelt 49, 165–6, 214–15, 225

Foakes, R. A 57, 167, 194, 253, 268–9, 270

Folger Shakespeare Library, Washington DC 35, 38, 73, 75, 78, 193, 196–7, 199, 252, 258

forme of type

See type, forme of, defined

Foucault, Michel 29, 151, 163, 164, 193, 194, 195, 227

‘Qu’est-ce qu-un auteur?’ (‘What is an Author?’) 79, 84, 85, 149, 228

foul papers

See authorial papers

Fourth Folio of Shakespeare 1685 2, 6, 8

Frijlinck, Wilhelmina P 157

Frye, Northrop 254

Furness, Horace Howard 8

Gabler, Hans Walter 255

Gaskell, Philip 146, 148

A New Introduction to Bibliography 88–9, 94, 231

‘ghost’ characters as signs of the author 48, 70, 122, 188, 203

Gibbons, Brian 132, 133, 254, 262, 264

Glapthorne, Henry, The Lady Mother 17, 18, 19, 29, 51

Globe playhouse 34, 172

fire at the 13, 102, 183

Globe Shakespeare edition of 1864 8, 178, 240

Glover, John 6

Gödel, Kurt, his Incompleteness Theorems 87

Godshalk, W. L 191

Goldberg, Jonathan 153, 154, 190

good quartos 15, 21, 22, 23, 24, 121, 164, 180, 182, 205, 218, 221, 224, 252, 265, 266

Gossett, Suzanne 227, 261

Gray, Henry David 100, 101

Greene, Robert 26, 105, 108, 116, 119, 167, 246

John of Bordeaux 49

Orlando Furioso 106, 108, 201

Greg, W. W 8, 12, 16, 17, 18, 22, 31, 32, 33, 37, 38, 58, 59, 61, 62, 63, 64, 65, 66, 67, 69, 75, 86, 88, 92, 95, 98, 101, 102, 103, 104, 106, 108, 110, 111, 112, 113, 115, 123, 124, 129, 131, 132, 133, 136, 137, 138, 142, 146, 149, 152, 155, 156, 162, 165, 166, 167, 168, 169, 174, 177, 178, 181, 188, 200, 202, 205, 213, 225, 240, 248, 250, 253, 255, 257, 261, 263

baiting anti-Stratfordian Baconians 97–8

discovering memorial reconstruction in Q1 The Merry Wives of Windsor 15, 100–1, 109, 124, 164–5

Dramatic Documents from the Elizabethan Playhouses 24–30, 39, 51, 164, 199, 215

Editorial Problem in Shakespeare, The 38–47, 52, 111–12, 164, 210

‘Rationale of Copy-Text, The’ 40, 44–6, 47, 88, 147, 153, 171, 183, 210, 252

Shakespeare First Folio, The 44, 47–54, 215

Two Elizabethan Stage Abridgements 201

Gurr, Andrew 222–5, 226, 229, 264

Halio, Jay L 261

Hammond, Antony 115, 159, 254, 264

Harbage, Alfred 254–5

Annals of English Drama 158

Harrison, G. B 184

Hart, Alfred 112, 191, 220

Hart, H. C 243–4, 246

Hasker, Richard E 55, 173, 174

Hawthorne, Nathaniel, The House of Seven Gables and The Blithedale Romance 147

headline analysis

See skeleton formes

Heidegger, Martin 196, 197

Heisenberg, Werner, his Uncertainty Principle 86, 87

Heminges, John 13, 14, 15, 19, 66, 69, 79, 205, 243, 244

Henslowe, Philip 16, 65, 66, 69, 130, 227

Herbert, Henry 156, 224

demanding fair copy 17–18, 27

Hercules, mythical God 3, 230

Heywood, Thomas 26, 49, 70, 119

The Captives 28, 39, 47, 49, 51, 52, 70

Play of Queen Elizabeth (= If You Know Not Me You Know Nobody) 15

Hibbard, G. R 180, 181, 261

Hinman, Charlton 3, 38, 54, 55, 57, 58, 59, 60, 63, 68, 72, 73, 79, 80, 84, 85, 87, 91, 92, 93, 95, 98, 136, 153, 159, 160, 171, 177, 193, 208, 240, 250, 252, 254, 255, 260, 267

deducing print run from headline reuse 62, 82, 259

discovering that the First Folio was set by formes 74–5

Norton Facsimile of the First Folio of Shakespeare, The 12, 76–9, 258–9

on the absence of proofreading and correction 56, 76, 83, 89

Printing and Proof-reading of the First Folio of Shakespeare, The 57, 72–5, 258

Holderness, Graham 47, 190, 191, 200, 201, 204, 266

Holderness, Graham, Bryan Loughrey and Andrew Murphy

‘Busy Doing Nothing’ 203

‘What's the Matter?’ 195–6, 202

Holinshed, Raphael 70

Holland, Peter 261

Holme, J. W 245

Honigmann, E. A. J 123, 167, 181, 257, 269, 270

The Stability of Shakespeare's Text 66, 69–72, 86, 130, 133, 175, 181

Hope, Jonathan 227, 228

Hoppe, Harry R 113, 124

Housman, A. E 11

Howard, Jean F 155

Howard-Hill, T. H 59, 84, 91, 92, 93, 94, 98, 136, 138, 141, 142, 145, 159, 160, 165–6, 171, 172, 208, 224, 267

his concordances to the early editions of Shakespeare 91–2, 168, 187

his discovery of Folio compositor F 92

resisting the theory that King Lear was revised 141, 142, 143, 145–6

Hoy, Cyrus 255, 256

Hubler, Edwin 110

Humphreys, A. R 253

Hunter, G. K 253, 257

Huntington Library, San Marino CA 17, 70, 71, 199

idealism, philosophical theory of 4, 45, 152–5, 192, 203

immanent critique 202, 209

imposition

See type, imposition of, explained

incidentals as alternative name for accidentals 44, 265

Inklings club 130

Inns of Court 172

Irace, Kathleen, Reforming the ‘Bad’ Quartos 113, 117–19, 125

Jackson, MacDonald P 93, 94, 159, 161–2, 182, 188, 205

Defining Shakespeare 245

on revision of King Lear 137

Jaggard, William and Isaac 57, 58, 59, 76, 79, 89, 90, 174

James 1 135, 140

Jenkins, Harold 181, 191, 251, 254

Johnson, Francis R 63

Johnson, Samuel 2, 23

Jones, Millard T 94

Jonson, Ben 44, 112, 119, 136, 140, 179, 217, 220, 223

adding to Kyd's The Spanish Tragedy 135

Every Man Out of His Humour 216, 219

Gypsies Metamorphosed, The 44

Sejanus His Fall 219

Workes 219, 220

Jowett, John xi, 178, 181, 182, 185–7, 200, 201, 202, 203–4, 212, 226, 261, 265, 270–1

disproving the presence of memorial reconstruction in Q1 Richard 3 125–6, 264

on stage directions in The Tempest by Ralph Crane 176–7

on the doubly told death of Portia in Julius Caesar 177–8

Jowett, John and Gary Taylor on Richard 2 173–6

Joyce, James 140

Kable, William S 79, 80, 89, 90

Kastan, David Scott 173, 267, 269

Keats, John 151

Kennedy, Richard F 200, 201

Kermode, Frank 252

Kerrigan, John 169, 170, 230, 257

on distinguishing authorial from non-authorial revision 135–6, 140, 178

repudiated 199–200

Kidnie, Margaret Jane 212–14

King Leir (anonymous) 115

King, Rosalind 191

King's men playing company

See Chamberlain's/King's men playing company

Kirschbaum, Leo 46, 110, 111, 123, 124

Knapp, Jeffrey 228–9

Knight, Edward 25, 66, 205

Knowles, Richard 194

Korean War 258

Kreps, Barbara 198

Kuhn, Thomas 86

Kyd, Thomas 101, 119, 241

The Spanish Tragedy 135, 219

Lacan, Jacques 195

Lachmann, Karl 7, 11, 34

Lavagnino, John 270

Law, Matthew 183

Lawrence, W. J 129

Lee, Sidney, Facsimile of the First Folio 12, 13–14, 76, 92, 202, 223, 258

Lesser, Zachary 199, 229

Levenson, Jill L 207–8, 261

Lever, W. J 253

Lewis, C. S 129, 130

Library, The 12, 15, 97

Ling, Nicholas 217

Lodge, Thomas 119

Long, William B 51, 155–8, 162, 163, 164, 165–6, 178, 223

Lothian, J. M 253

Loughrey, Bryan 47, 190, 191, 200, 201, 266

Luce, Morton 242

Lull, Janis 264–5

Lydgate, John 98

Lyly, John 119

Macalister, J. Y. W 12

Macmillan, Michael 242

Maguire, Laurie E., Shakespearean Suspect Texts 103, 119–23, 165

Malone, Edmond, his Shakespeare edition of 1790 6, 108, 194

Manilius, Marcus, Astronomica 11

Manley, Lawrence 210–11

Marcus, Leah S 190, 212, 243

Unediting the Renaissance 154, 190, 198

Marlowe, Christopher 8, 107, 116, 119, 130, 198, 246

Doctor Faustus 136, 146, 199

Massacre at Paris, The 39, 47

Tamburlaine 219

Marshe, Thomas 73

Marston, John 119

Martin, Henri-Jean 9

Marx, Karl 86, 195, 196

Marxism 155, 191, 192, 195

Mason, Pamela 211–12

Massai, Sonia 6, 257, 258

Massinger, Philip 140

Believe as You List 17, 49, 51

Masten, Jeffrey 9, 47, 226, 227

Master of the Revels 17–18, 27, 39, 135, 156, 215, 223, 224, 242

materialism, philosophical theory of 10, 45, 77, 78, 153, 154, 155, 190–206

Maxwell, J. C 250

McEachern, Claire 211

McGann, Jerome J 151, 152, 206

A Critique of Modern Textual Criticism 146–50, 178

Textual Criticism and Literary Interpretation 150–1

McKenzie, D. F 59, 79, 98, 133, 148, 206, 259

Bibliography and the Sociology of Texts 151–2

‘Printers of the Mind’ 57, 62, 64, 79, 81–4, 158, 254

responses to it 84–96

‘Stretching a Point’ 159–60, 161, 172

McKerrow, R. B 7, 8, 22, 39, 42, 43, 44, 46, 54, 64, 65, 73, 77, 88, 89, 91, 117, 181, 188, 255, 259

his edition of Thomas Nashe 167

Introduction to Bibliography for Literary Students 63, 231

Prolegomena for the Oxford Shakespeare 30–7, 40, 64, 167, 196, 209, 252

‘Suggestion Regarding Shakespeare's Manuscripts, A’ 31–3, 37, 39, 64, 200, 210

McLeod, Randall 3, 4, 131–3, 135, 151, 153, 154, 163, 178, 188, 203, 214, 254

McMillin, Scott 99, 115, 116, 201

finding theatrical refinements in bad quartos 113–14, 127

McMullan, Gordon 227–8, 261, 270

memorial reconstruction 11, 15, 99, 100–28, 132, 135, 138, 139, 145, 164, 170, 182, 185, 191, 197, 198, 201, 223, 240, 246, 264

Meres, Francis, Palladis Tamia 220

Merriam, Thomas 228

Metz, G. Harold 268

Meyer, Anne R 194

Middleton, Thomas 119, 140, 180, 226, 246, 264

A Game at Chess 70–1, 223

Oxford Collected Works edition 178, 270–1

The Second Maiden's Tragedy (= The Lady's Tragedy) 199, 213, 223

Millington, Thomas 108, 243

Mommsen, Tycho 100, 101

Montgomery, William xi, 175, 265

Moore, Marianne 149

Morris, Brian 251

Morton, Andrew Q 268

Moseley, Humphrey 26, 221

Mountfort, Walter, The Launching of the Mary 17, 18, 19, 27, 51, 156, 158

Mowat, Barbara A 196, 204, 266, 269, 270

Moxon, Joseph, Mechanick Exercises 63, 73, 76, 83, 96, 122

Muir, Kenneth 251, 261

Munday, Anthony 119

his contribution to Sir Thomas More 17, 226

John a Kent and John a Cumber 17, 24, 50, 51, 157, 165

Munro, Lucy, Children of the Queen's Revels 158

Murphy, Andrew 4, 6, 8, 47, 205–6

Shakespeare in Print 240

Nashe, Thomas 8, 119, 167, 226

Nathan, Norman 81

New Cambridge Shakespeare series 192, 265

Early Quartos sub-series 192, 215, 262, 264, 269

New Folger Library Shakespeare series 196–7, 204, 266, 269, 270

New Historicism 153, 190, 192

‘new’ New Bibliography 42, 99, 134, 154, 158, 167–89, 195, 216, 221, 222, 224, 226, 229, 241, 257, 260, 261, 262, 265, 268, 270

New Penguin Shakespeare series 167, 169, 174, 256–8, 262

New Shakespeare series 4–5, 247–50

New Textualism 3, 29, 33, 53, 87, 127, 129, 147, 153–8, 162–6, 178, 188, 190, 192, 193, 194, 195, 196, 197, 199, 200, 201, 202, 203, 204, 205, 207–15, 216, 222, 225, 226, 227, 230, 258, 260, 261, 264, 268, 270

New Variorum Shakespeare series 240

Newton, Isaac 87

Nicoll, Allardyce 167

Norden, John, Civitas Londini (1600) 34

Norton Facsimile of the First Folio of Shakespeare, The 258–9

Nosworthy, J. M 252

O’Connor, John 93, 95, 208–9

Okes, Nicholas 55, 158, 159, 200, 203

Oldcastle (Lord Cobham), John, the historical figure 211

Oldcastle/Falstaff naming problem

See Shakespeare, William, 1 Henry 4

Oliver, H. J 253, 261

Orgel, Stephen 223, 228

on routine revision of plays 130–1

Oxford Collected Works edition of Middleton 178, 270–1

Oxford Complete Works edition of Shakespeare xi, xii, 11, 36, 92, 95, 167–89, 191, 197, 200, 202, 203, 208, 221, 241, 254, 257, 260, 261, 262, 265, 268, 269, 270

Gary Taylor's ‘Introduction’ to its Textual Companion 178–80

its use of appendices 180

reviews of 183–4, 187, 189

Oxford English Dictionary 242

Oxford Shakespeare series 207, 254, 260–2

Oxford University Press 12, 30, 91, 167

Pafford, J. H. P 253

Parrott, T. M 102

Patrick, David Lyall 110, 112, 115

Pavier, Thomas 90

Pechter, Edward 3, 202–3, 222

Peele, George 108, 116, 119, 226, 246, 258, 268

The Battle of Alcazar 201

Pelican Shakespeare series 240, 254–5

Pembroke's men playing company 114, 210

Pendleton, Thomas A 173

Pettitt, Thomas 104

Pinter, Harold, The Homecoming 195

piracy of plays 15–16, 19

Pitcher, John 257

plague closing the theatres 102, 201

Plato 152, 153, 192, 204, 270

playhouse plots 24, 39, 50

Pollard, A. W 12, 25, 26, 27, 28, 31, 35, 37, 39, 46, 49, 52, 59, 64, 65, 66, 100, 103, 108, 109, 110, 123, 124, 155, 205, 240, 242, 244, 246, 247, 248

collaboration with John Dover Wilson 10, 23–4, 33, 52, 102, 124

Shakespeare Folios and Quartos 12–15, 245

Shakespeare's Fight with the Pirates 15–23, 245

Pope, Alexander, his Shakespeare edition of 1723–5 6, 36

Posener, Alan 201

postmodernism 87, 163, 189, 197, 214, 225, 227, 228

post-structuralism 130, 133, 153–8, 163, 165, 190, 203, 209

Potter, Lois 210

Povey, Kenneth 63, 83

his lamp for detecting which side of a sheet was printed first 69

press variants

See type, correction of

Price, George R 94

Price, Hereward T 103

prompt-book xi, 12, 14, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 37, 39, 41, 44, 47, 48, 49, 50, 51, 52, 53, 54, 65, 66, 102, 112, 138, 139, 140, 141, 142, 143, 145, 146, 155, 157, 158, 162, 164, 165, 166, 168, 169, 170, 172, 173, 174, 175, 176, 177, 178, 180, 185, 205, 215, 223, 225, 249, 256, 258, 261, 263, 264, 265

prompter 17, 19, 22, 24, 28, 29, 32, 48, 49, 50, 51, 52, 155, 157, 165, 199, 202, 205, 215, 244, 253

prompting from printed plays 21, 22

signs of in printed plays 19–21

proofreading and correction 38, 61–4, 76–8, 79, 89, 93, 258

Proudfoot, Richard 267

punctuation 23, 31, 37, 40, 43, 44, 71, 72, 88, 117, 120, 122, 131, 146, 160, 168, 180, 208, 231, 243, 247, 251, 255, 260, 263

quantum mechanics 87

Quiller-Couch, Arthur 247

Rasmussen, Eric 208, 212

on revision of plays 199–200

Records of Early English Drama (REED) 201

Reid, S. W 160

Remírez, Luís 127

reprinting xi, 6, 7, 13, 15, 20, 21, 31, 36, 40, 41, 56, 59, 64, 77, 90, 91, 93, 102, 133, 170, 172, 181, 183, 191, 200, 218, 244, 245, 246, 248, 249, 250, 251, 264

accumulation of errors in 1–2

as indicator of popularity 198

diplomatic 65, 191, 196, 266

defined 65

with additional authority from a manuscript 7, 20, 21, 23, 35, 41, 46, 53, 126, 137, 168, 179, 185, 257, 265, 270

revision of plays 14, 18, 22, 23, 41, 46, 69–72, 102, 108, 110, 112, 114, 115, 117, 123, 124, 125, 127, 129–31, 133–46, 163, 167, 169, 172, 176, 177, 178, 179, 180, 181, 182, 185, 191, 194, 198, 199–200, 207, 209, 211, 221, 223, 224, 242, 248, 249, 263, 265, 271

Rhodes, R. Compton 103, 104, 124

Rider, Philip R 96

Ridley, M. R 251

Riverside Shakespeare edition 259–60

Roberts, James 56, 217

Romantics, literary movement 3, 147, 222, 228

Rose playhouse 214

Rowe, Nicholas, his Shakespeare edition of 1709 6, 204

Rowley, Samuel 136, 199

Rowley, William 20

Royal Holloway, University of London 10

Royal Shakespeare Company 167, 256

Sanders, Norman 263

Satchell, Thomas 55, 56, 57, 92

Saussure, Ferdinand de 153, 165

Schäfer, Jürgen 168

scribal transcripts 14, 23, 24, 32–3, 37, 54, 58, 101, 165, 185, 202, 215

Second Folio of Shakespeare 1632 2, 8

Shakespeare as literary author 215–22

Shakespeare Institute, Stratford-upon-Avon 167, 181, 262

Shakespeare Quarto Facsimiles series xi

Shakespeare Survey 11, 34

Shakespeare, William

All is True xii, 6, 183, 226, 227–8, 241, 256, 261, 265, 270

All's Well that Ends Well 32, 243, 253

Antony and Cleopatra 251, 266, 267–8

As You Like It 229, 245

Comedy of Errors, The 31, 162, 253

Contention of York and Lancaster, The xii, 19, 34, 46, 103, 104, 107–9, 111, 113–14, 115, 116–17, 125, 127, 175, 179, 183, 184, 185, 190, 197, 198, 210–11, 246, 252, 265

Coriolanus 139, 245, 250, 253

Cymbeline 139, 140, 183, 242, 252, 257, 262, 265

Edward 3 125, 226, 265

Hamlet 7, 15, 33, 41, 46, 56, 65, 67, 68, 92, 100, 101, 102, 103, 104, 109, 111, 115, 117, 118, 123, 124, 127, 141, 145, 162–3, 179, 180–1, 184, 185, 191, 198, 199, 200, 201, 204, 211–12, 213, 214, 215, 217, 219, 220, 221, 241, 249–50, 254, 261, 263–4, 267, 270

1 Henry 4 xii, 56, 86, 96, 97, 136, 145, 160, 161, 183, 184, 185–6, 200, 218, 220, 253, 257, 269

the name Oldcastle/Falstaff 173, 183, 185, 186, 265

2 Henry 4 53, 68, 92, 173, 178, 179, 184, 185, 186–7, 218, 245

Henry 5 15, 34, 46, 94, 100, 102, 103, 104, 109, 111, 112, 117, 118, 123, 124, 125, 170–1, 179, 184, 185, 222, 243, 251, 260, 264, 265, 266, 268

1 Henry 6 52, 226, 246, 264

Julius Caesar 6, 177–8, 200, 242, 252

King John 6, 257, 264

King Lear xii, 21, 46, 47, 55, 56, 61, 62, 65, 109, 110, 111, 112, 113, 115, 127, 131, 146, 147, 158–9, 178, 179, 180, 183, 184, 185, 190, 196, 197, 199, 200, 203, 204, 214, 215, 218, 220, 242, 250, 251, 257, 259–60, 261, 264, 266, 268–9, 270

divided into two plays 114–15, 133–46, 153, 154, 163, 181–2, 188, 197, 198

division into two plays repudiated 194

Love's Labour's Lost 8, 32, 93, 94, 96, 169, 184, 208, 217, 218, 230, 244, 252, 257

Macbeth 6, 55, 70, 178, 179, 217, 221, 226, 244, 246, 270, 271

Measure for Measure 91, 178, 179, 180, 208, 226, 248, 253, 264, 270, 271

Merchant of Venice, The 56, 57, 59, 96, 179, 184, 200, 208, 212, 218, 252

Merry Wives of Windsor, The 15, 46, 91, 100, 101, 102, 103, 104, 109, 111, 113, 117, 118, 123, 127, 164–5, 185, 188, 190, 198, 208, 220, 243–4, 248

Midsummer Night's Dream, A 20, 68, 90, 96, 179, 180, 184, 200, 208, 212, 218, 244, 249, 254, 261, 263, 266

Much Ado About Nothing 20, 48, 68, 70, 92, 93, 96, 168, 170, 179, 184, 188, 208, 212, 218, 246

Othello 65, 72, 94, 130, 141, 145, 178, 179, 184, 185, 204, 210, 214, 221, 222, 243, 250, 263, 269, 270

Pericles 15, 20, 46, 100, 111, 123, 161, 182, 184, 185, 218, 219, 220, 223, 226, 227, 245, 250, 254, 261, 264

Rape of Lucrece, The 8

Richard 2 22, 55, 92, 110, 111, 173–6, 179, 180, 183, 184, 218, 220, 257

Richard 3 34, 46, 47, 92, 110, 111, 112, 113, 115, 125, 126, 145, 160, 161, 171, 179, 183, 184, 203–4, 220, 250, 254, 257, 261, 264–5

Richard Duke of York xii, 34, 47, 105, 107–9, 111, 113–14, 115, 116–17, 180, 183, 184, 185, 190, 214, 246, 252, 265

Romeo and Juliet 15, 19, 32, 46, 48, 56, 58, 66, 91, 96, 100, 102, 103, 109, 111, 113, 117, 118, 123, 124, 132, 133, 180, 184, 188, 198, 201, 202, 207–8, 214, 215, 217, 218, 241, 254, 261

Sir Thomas More 17, 18, 23, 24, 31, 39, 47, 50, 52, 53, 88, 121, 122, 166, 181, 199, 205, 213, 226, 247, 252, 263, 265

Sonnets 8, 94, 173

Taming of the Shrew, The 106, 107, 111, 113, 114, 123, 198, 200, 264

Tempest, The 6, 91, 176–7, 208, 217, 233, 242, 247, 252

Timon of Athens 6, 49, 66, 226, 253, 270

Titus Andronicus 56, 96, 102, 112, 123, 145, 184, 185, 200, 212, 226, 257, 258, 268

Troilus and Cressida 65, 94, 145, 172, 179, 183, 184, 195, 214, 218, 220, 250, 253, 261

Twelfth Night 253

Two Gentlemen of Verona, The 31, 91, 121, 208, 233, 245, 248

Two Noble Kinsmen, The 214, 226, 241, 256, 266

Venus and Adonis 8

Winter's Tale, The 91, 208, 253

Shakespearean Originals series 190–2, 196, 204, 266

Shapiro, I. A 34, 44

Sharpham, Edward The Fleire 136

Shelley, Mary 149

Shirley, James 119

The Bird in a Cage 96

The Court Secret 39

The Wittie Faire One 96

Short, Peter 86, 160, 161

Simmes, Valentine 68, 92, 160, 161, 217

Simpson, Percy 101, 247

Sisson, Charles Jasper 181

Sisyphus, a king in Greek myth 230

skeleton formes

defined 60, 159

identified by headline reuse 60, 67, 94, 263

revealing order/rate of composition or presswork 38, 67, 68, 81, 83, 86, 89, 94

Skura, Meredith 214

Smallwood, R. L 257

Smart, John Semple 107

Sokal, Alan 87

speech prefixes 70, 160, 179, 205

variation of names in 31–3, 37, 39, 126, 162, 200–1, 212, 257, 264, 268, 270

spelling 23, 30, 31, 36, 40, 43, 44, 53, 65, 70, 71, 72, 79, 80, 88, 89, 91, 131, 132, 141, 142, 143, 144, 145, 146, 148, 171, 173, 177, 180, 183, 187, 191, 255, 260, 265

altered to justify a line of type 58–9, 209, 232

modernizing 45, 167–8, 230, 243, 254, 262

Shakespeare's own 23, 24, 39, 53, 205, 252

used to identify compositors 38, 55–9, 67, 68, 80, 92, 93, 94, 98, 160–1, 171, 208–9, 263, 267

Spencer, T. J. B 167, 256, 262

Spinner, Jonathan H 94

Sprinchorn, Evert 191

stage directions

anticipatory 19, 29–30, 51

indefinite 50, 51, 162, 211, 212–14, 257, 267, 270

Stallybrass, Peter 195, 196

Stallybrass, Peter and Margreta de Grazia

‘The Materiality of Shakespeare's Text’ 192–4, 202, 214

Stanley (Lord Strange), Ferdinando 211

Star Trek, television and film series 213

Stationers’ Company 16

Stationers’ Register 16, 108, 207, 217, 218, 219, 221, 242, 245, 246

stenography 15, 101, 102, 103, 104, 109, 110, 111, 112, 113, 119, 127, 241

Stern, Tiffany 39, 225–6

Stirling, Brents 177–8, 254

Stone, P. W. K 97, 133, 137, 138, 140, 143

Strange's men playing company 210

Studies in Bibliography 38, 47, 54–8, 68, 69, 91

substantive

a class of variant 40, 44, 45, 46, 67, 68, 71, 72, 76, 131, 151, 170, 171, 172, 174, 183, 256, 261, 265

editions 33, 35, 40, 41, 42, 46, 91, 179, 180, 190, 209, 259, 260, 271

definition of 31

Tanselle, G. Thomas 148, 149, 150, 152–3

Taylor, Gary xi, 2, 40, 125, 136, 154, 159, 160, 162, 163, 171–3, 181, 182, 186–7, 188, 195, 202, 203, 209, 219, 223, 226, 256, 260, 261, 265, 270–1

dividing King Lear 135, 137–46

‘Introduction’ to the Oxford Complete Works's Textual Companion 178

Taylor, Gary and John Jowett on Richard 2 173–6

Taylor, Gary and Stanley Wells Modernizing Shakespeare's Spelling 167–8, 170–1, 260

Taylor, Neil 270

Telephone, the children's game

See Chinese Whispers

Tennyson, Alfred 86, 149

The Verdict, motion picture 1

Third Folio of Shakespeare 1663–4 2, 8

Thomas of Woodstock (anonymous, probably by Samuel Rowley) 49, 51, 156–8

Thomas, Sidney 194

Thompson, Ann 267, 270

Thompson, Edward Maunde 23, 39

Thorpe, James 146, 148, 149

Principles of Textual Criticism 88

Through Line Numbering xi, 258, 260

Tillyard, E. M. W 203

Tilney, Edmund 17, 224

Times Literary Supplement 23, 55, 85, 87, 129, 191

Todd, William B 85

Tonson, Jacob 6, 131

Tourneur, Cyril 119

Trenery, Grace R 245–6

Trinity College, Cambridge 38, 70

Tronch-Pérez, Jesús 127

Troublesome Reign Parts One and Two (anonymous) 123

Trousdale, Marion 153, 154, 164, 193

Trundle, John 217

Turner Junior, Robert K 68, 80, 82, 254, 255

Two Noble Ladies, The (anonymous) 49

type

correction of 38, 61, 75, 76–7, 83, 102, 138, 159, 180, 230, 236, 243, 249, 255, 258, 263, 266

forme the unit of 43, 77

forme of, defined 232

imposition of, explained 232–4

reuse

as evidence for compositorial stints 80, 93, 159, 160, 161

as evidence of order of composition or press-work 38, 57, 68, 73, 83, 95, 159, 160, 161

shortage of shown by substitutions 38, 177–8

revealing order of setting 60, 68, 73

unediting 132–3, 178, 190–206

University College London 181

University of Virginia 38, 54

Urkowitz, Steven 134, 141, 154, 188, 190, 191, 197–8, 202, 204

attacking the theory of memorial reconstruction 115–17, 125, 127

Urquhart, Thomas, Epigrams: Divine and Moral 216

Vega, Lope de 127

veil of print, stripping or piercing it 47, 55, 195

Vickers, Brian 10, 131, 191, 227–8, 258

Shakespeare, Co-Author 245

Visscher, J. C., View of London (1616?) 34–5

Walker, Alice 47, 56, 58, 81, 91, 94, 96, 136, 167, 241, 250, 269

Textual Problems of the First Folio 10, 53

Walley, Andrew 183

Walter, J. H 251

Walton, J. K 34, 179

Warren, Michael 116, 154, 163, 266

dividing King Lear 114–15, 133, 134

his four-text edition of King Lear 197

Warren, Roger 125, 127, 135, 261

Warwick Shakespeare series 246

Watts, John 131

Webster, John 119, 140, 217, 223

The Duchess of Malfi 216

Weis, René 204

Wells, Stanley xi, 2, 11, 95, 167, 168–70, 174, 178, 181, 187, 188, 230, 254, 256, 257, 260–2, 265

Re-editing Shakespeare for the Modern Reader 182–3, 212

Wells, Stanley and Gary Taylor

Modernizing Shakespeare's Spelling 167–8, 170–1, 260

Werstine, Paul 2, 3, 52, 80, 154, 159, 162–3, 164–5, 184, 188, 196, 198, 199, 201, 205, 214–15, 218, 261, 266, 267, 269, 270

disproving Folio compositor B's carelessness 96–7, 136, 269

his rapprochement with New Bibliography 209–10

on indistinguishability of Folio compositors ‘D’ and ‘F’ 208–9

on Q/F King Lear differences 136–7, 155

rejecting the theory of memorial reconstruction 123–5, 127

Wilder, Lina Perkins 212

Wilders, John 267–8

Wilkins, George 20, 182, 185, 219, 226, 250, 264

Williams, George Walton 38, 56, 59, 60, 68, 73, 229, 254, 255

Williams, Philip 55

Willoughby, Edwin Eliott 55, 57, 92

Wilson, John Dover 39, 53, 64, 101, 103, 111, 124, 155, 169, 180, 240, 244, 261

collaboration with A. W. Pollard 10, 23–4, 33, 52, 102, 124

New Shakespeare series 4–5, 10, 52, 241, 247–50, 252

Wimsatt, W. K. and M. C. Beardsley, ‘The Intentional Fallacy’ 151

Wise, Andrew 245

Wolf, Edwin 62–3

Woudhuysen, H. R 267

Wright, W. Aldis 6

Yale University Elizabethan Club 75

Year's Work in English Studies 11

Yeats, William Butler 151

Zimmerman, Susan 160–1




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