Hostname: page-component-848d4c4894-75dct Total loading time: 0 Render date: 2024-05-30T20:33:44.345Z Has data issue: false hasContentIssue false

The music culture of older adults in Cantonese operatic singing lessons

Published online by Cambridge University Press:  22 May 2014

WAI HAN LO*
Affiliation:
School of Communication, Hong Kong Baptist University, Kowloon, Hong Kong.
*
Address for correspondence: Wai Han Lo, School of Communication, Hong Kong Baptist University, Communication and Visual Arts Building, 5 Hereford Road, Kowloon Tong, Kowloon, Hong Kong. E-mail: janetlo85@yahoo.com.hk

Abstract

Cantonese operatic singing, one of the regional opera forms in China, flourishes mainly in the southern province of Guangdong. By exploring the culture of Cantonese operatic singing, this study relates older people's music participation to a sense of collectivism, thereby contributing to the maintenance of interpersonal relationships and promoting successful ageing. The study also illustrates how the musical participation of older adults can be influenced by the lifecourse and ageing in terms of both vocal abilities and levels of participation. Data analysed through participation observation in two Cantonese operatic singing lessons identify the rituals and core values of Cantonese operatic singing lessons. The findings help to explain how this particular music genre interacts with ageing.

Type
Articles
Copyright
Copyright © Cambridge University Press 2014 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Agahi, N. and Parker, M. G. 2005. Are today's older people more active than their predecesors? Participation in leisure-time activites in Sweden in 1992 and 2002. Ageing & Society, 25, 6, 925–41.CrossRefGoogle Scholar
Blacking, J. 1995. Music, Culture, and Experience: Selected Papers of John Blacking. Editor Byron, R.. University of Chicago Press, Chicago.Google Scholar
Bocock, R. 1973. Ritual in Industrial Society. Allen and Unwin, London.Google Scholar
Bourdieu, P. 1984. Distinction: A Social Critique of the Judgment of Taste. Harvard University Press, Cambridge, Massachusetts.Google Scholar
Bruhn, H. 2002. Musical development of elderly people. Psychomusicology, 18, 1/2, 5975.CrossRefGoogle Scholar
Bryson, B. 1996. Anything but heavy metal: symbolic exclusion and musical dislikes. American Sociological Review, 61, 5, 884–99.CrossRefGoogle Scholar
Chan, S. Y. 1991. Improvisation in a Ritual Context. The Chinese University Press, Hong Kong.Google Scholar
Charmaz, K. 2006. Constructing Grounded Theory: A Practical Guide Through Qualitative Analysis. Sage, Thousand Oaks, California.Google Scholar
Chung, S. and Park, S. J. 2008. Successful ageing among low-income older people in South Korea. Ageing & Society, 28, 8, 1061–74.CrossRefGoogle Scholar
Collins, R. 2004. Interaction Ritual Chains. Princeton University, Princeton, New Jersey.CrossRefGoogle Scholar
Corbin, J. and Strauss, A. 1998. Basics of Qualitative Research: Techniques and Procedures for Developing Grounded Theory. Sage, Thousand Oaks, California.Google Scholar
Côté, J. E. 1996. Sociological perspectives on identity formation: the culture–identity link and identity capital. Journal of Adolescence, 19, 5, 417–28.CrossRefGoogle Scholar
Coulangeon, P. and Lemel, Y. 2007. Is ‘distinction’ really outdated? Questioning the meaning of the omnivorization of musical taste in contemporary France. Poetics, 35, 2/3, 93111.CrossRefGoogle Scholar
Crozier, W. 1997. Music and social influence. In Hargreaves, D. and North, A. (eds), The Social Psychology of Music. Oxford University Press, Oxford, 6783.CrossRefGoogle Scholar
Deal, T. E. and Kennedy, A. A. 1982. Corporate Cultures: The Rites and Rituals of Corporate Life. Penguin Books, Harmondsworth, UK.Google Scholar
DiMaggio, P. 1987. Classification in art. American Sociological Review, 52, 4, 440–55.CrossRefGoogle Scholar
DiMaggio, P. and Mukhtar, T. 2004. Arts participation as cultural capital in United States, 1982–2002: signs of decline? Poetics, 32, 2, 169–94.CrossRefGoogle Scholar
Durkheim, E. 1965. The Elementary Forms of Religious Life. Free Press, New York.Google Scholar
Ekerdt, D. 1986. The busy ethic: moral continuity between work and retirement. The Gerontologist, 26, 3, 239–44.CrossRefGoogle ScholarPubMed
Erickson, B. H. 1996. Culture, class, and connections. American Journal of Sociology, 102, 1, 217–51.CrossRefGoogle Scholar
Fiske, J. 1987. Television Culture: Popular Pleasures and Politics. Methuen, New York.Google Scholar
Goffman, E. 1956. The nature of deference and demeanor. American Antropologist, 58, 3, 473–99. Reprinted in Goffman, E. 1967. Interaction Ritual: Essays in Face-to- face Behaviour. Transaction Publishers, New Brunswick, New Jersey.CrossRefGoogle Scholar
Green, L. 2002. How Popular Musicians Learn. Ashgate, Farnham, UK.Google Scholar
Grossberg, L. 1995. Cultural studies: what's in a name? (One more time). Journal of Culture and Education, 1, 1, 137.Google Scholar
Hall, S. and Jefferson, T. (eds) 1976. Resistance Through Rituals: Youth Subcultures in Post-war Britain. Hutchinson, London.Google Scholar
Harrison, J. and Ryan, J. 2012. Musical taste and ageing. Ageing & Society, 30, 4, 649–69.CrossRefGoogle Scholar
Havighurst, R. 1961. The nature and values of meaningful free-time activity. In Kleemeier, R. (ed.), Aging and Leisure. Oxford University Press, New York, 309–44.Google Scholar
Hebdige, D. 1979. Subculture: The Meaning of Style. Methuen, London.Google Scholar
Hofstede, G., Neuijen, B., Ohayv, D. D. and Sanders, G. 1990. Measuring organizational cultures: a qualitative and quantitative study across twenty cases. Administrative Science Quarterly, 35, 2, 286316.CrossRefGoogle Scholar
Holahan, C. K. 1988. Relation of life goals at age 70 to activity participation and health and psychological well-being among Terman's gifted men and women. Psychology and Aging, 3, 3, 286–91.CrossRefGoogle ScholarPubMed
Hopper, P. 2007. Understanding Cultural Globalization. Polity Press, Cambridge.Google Scholar
Howard, J. A. 2000. Social psychology of identities. Annual Review of Sociology, 26, 1, 367–93.CrossRefGoogle Scholar
Huang, zhaohan [兆漢] and Zeng ying, jing [曾影靖] (eds) 1992. A Talk About Cantonese Opera [細 陳鐵兒劇論文書信集]. Guang ming tu shi guan, Hong Kong.Google Scholar
Katz, S. 2000. Busy bodies: activity, aging and the management of everyday life. Journal of Aging Studies, 14, 2, 135–52.CrossRefGoogle Scholar
Lamont, M. and Molnar, V. 2002. The study of boundaries in social sciences. Annual Review of Sociology, 28, 1, 167–95.CrossRefGoogle Scholar
Lave, J. and Wenger, E. 1991. Situated Learning: Legitimate Peripheral Participation. Cambridge University Press, Cambridge.CrossRefGoogle Scholar
Lawton, M. P. 1993. Meanings of activity. In Kelly, J. R. (ed.), Activity and Aging: Staying Involved in Later Life. Sage, Thousand Oaks, California, 2541.Google Scholar
Li, jian [黎鍵] 2010. Narration of Cantonese Opera in Hong Kong [香港劇敘論]. Joint Publishing (Hong Kong) Company, Hong Kong.Google Scholar
Liang, hua ji [梁華濟] 2001. Story about my master [記我的師傅關國華]. Nan Guo Hong Dou, 4, 1617.Google Scholar
Liu, Aimin [劉艾文] 2001. Teaching Contemporary Cantonese Operatic Songs in Hong Kong: An Introduction [香港當代曲教學概]. The Chinese University Press, Hong Kong.Google Scholar
Lizardo, O. 2006. How cultural tastes shape personal networks. American Sociological Review, 71, 5, 778807.CrossRefGoogle Scholar
Lopez-Sintas, J. and Katz-Gerro, T. 2005. From exclusive to inclusive elitists and further: twenty years of omnivorousness and cultural diversity in arts participation in the USA. Poetics, 33, 5/6, 299319.CrossRefGoogle Scholar
Moore, R., Staum, M. J. and Brotons, M. 1992. Music preferences of the elderly: repertoire, vocal ranges, tempos, and accompaniments for singing. Journal of Music Therapy, 29, 4, 236–52.CrossRefGoogle Scholar
Peterson, R. A. 2005. Problems in comparative research: the example of omnivorousness. Poetics, 33, 5/6, 257–82.CrossRefGoogle Scholar
Sataloff, R. T. 1992. Vocal aging: medical considerations in professional voice users. Medical Problems of Performing Artists, 7, 1, 1721.Google Scholar
Sidell, M. 1995. Health in Old Age. Open University Press, Buckingham, UK.Google Scholar
Simpson, S. and Cacioppe, R. 2001. Unwritten ground rules: transforming organization culture to achieve key business objectives and outstanding customer service. Leadership and Organization Development Journal, 22, 8, 394401.CrossRefGoogle Scholar
Smith, N. 2009. Beyond the master narrative of youth: research ageing popular music scenes. In Scott, D. B. (ed.), The Ashgate Research Companion to Popular Musicology. Ashgate, Farnham, UK, 427–45.Google Scholar
Tan Ming, Yuan [譚明淵] 2010. A story started from experienced Cantonese operatic singers getting an electric shock [從老倌「觸電」開去]. Nan Guo Hong Dou, 5, 62–3.Google Scholar
Wells, A. and Hakanen, E. A. 1991. The emotional use of popular music by adolescents. Journalism & Mass Communication Quarterly, 68, 3, 445–54.Google Scholar
Wen, Lun [倫] 2012. Innovative Wuzhou's Cantonese opera [創新梧州劇]. Wuzhou Daily. Available online at http://www.wuzhoudaily.com.cn/html/2012-12/10/content_294538.htm [accessed 10 March 2014].Google Scholar
Wilkins, A. L. 1984. The creation of company cultures: the role of stories and human resource systems. Human Resource Management, 23, 1, 4160.CrossRefGoogle Scholar
Williams, R. 1965. The Long Revolution. Penguin, New York.Google Scholar
Williams, R. 1974. Television: Technology and Cultural Form. Fontana, London.Google Scholar
Xia, ye [夏野] and Chen, xue ya [陳學婭] (eds) 1989. China Folk Music [中國民族音樂大系曲藝音樂卷]. Shanghai Press, Shanghai.Google Scholar
Yung, B. 1989. Cantonese Opera: Performance as Creative Process. Cambridge University Press, Cambridge.Google Scholar