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Aida's flutes

Published online by Cambridge University Press:  20 June 2003

GABRIELA CRUZ
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Abstract

After years spent reflecting on Western imperial practices, critic Edward Said wrote that Giuseppe Verdi's Aida is ‘a kind of curatorial art’, a work

whose rigorous and unbending frame recall[s], with relentless mortuary logic, a precise historical moment and a specifically dated aesthetic form, an imperial spectacle designed to alienate and impress an almost exclusively European audience.

Type
Regular Articles
Information
Cambridge Opera Journal , Volume 14 , Issue 1-2 , March 2002 , pp. 177 - 200
Copyright
2002 Cambridge University Press

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