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Deutschland über alles?: The National Anthem Debate in the Federal Republic of Germany

Published online by Cambridge University Press:  16 December 2008

Margarete Myers Feinstein
Affiliation:
Indiana University South Bend

Extract

Languages evolve, and through the negotiations of public discourse, particular phrases acquire connotations and meanings beyond their grammatical structure. Occasionally, the meanings become contested and the resultant debate can be politically charged. The struggle to define language is fundamentally a struggle for power. This explains the current concerns of the French government to protect the French language from anglicisms. In recent years, the United States has become embroiled in debates over interpretations of the Constitution. Should our reconstruction of the eighteenth-century intent of the authors be the standard or should we reinterpret the language in the spirit of our present day context? The answer is fundamentally a political one. Perhaps nowhere has language been more highly contested than in postwar West Germany.

Type
Articles
Copyright
Copyright © Conference Group for Central European History of the American Historical Association 2000

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References

1. Translation adapted from “Bonn's Song Plugging Fails to Win Germans to Idea of New Anthem,” New York Times, 29 December 1951 and “‘Germany above all’ is national hymn again,” Daily Herald (London), 6 May 1952.Google Scholar

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6. Haydn's melody with various textual variations served as the Austrian royal song until 1918. With new lyrics it served as the anthem for the first Austrian republic from 13 December 1929 until the end of World War II. Acknowledging that the reintroduction of the Haydn melody would be viewed by foreigners as a provocation, the second Austrian republic held a contest to solicit proposals for a new anthem. On 22 October 1946 the Council of Ministers selected a composition attributed to Mozart as the music for the new “Federal song.” Later, the government chose the lyrics submitted by poet and novelist Paula von Preradovic. See, Diem, Peter, Die Symbole Österreichs (Vienna, 1995), 148.Google Scholar

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31. The CDU had proposed a flag containing the Andreas Cross as an alternative to the tricolor. One of the conspirators of the 20 July 1944 plot against Hitler had created the design. The CDU intended for the flag to indicate the German Christian tradition and to recall the conservative resistance to Hitler.

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41. Alois, Friedel, Deutsche Staatssymbole (Frankfurt am Main, 1968), 49Google Scholar. Apparently, President Heuss had caught wind of the chancellor's plan and had attempted to persuade him not to sing the third verse since such an event would politicize the anthem question. See Under-Secretary of State Manfred Klaiber to Vice Chancellor Franz Blücher, 25 April 1950, quoted in Mensing, , ed., Unter vier Augen, 341Google Scholar, n. 5.

42. On 28 April 1950 Adenauer received a memorandum from the Allied High Commission reminding him of the unfortunate reputation of the Deutschlandlied abroad.

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47. In their meeting of 8 May 1950, Heuss informed Adenauer that he had commissioned a poet to write the lyrics for a new anthem. Mensing, , ed., Unter vier Augen, 41.Google Scholar

48. For an example of this, see Erich, Stückrath, “Es gibt einen Weg,” Frankfurter Allgemeine Zeitung, 10 09 1951.Google Scholar

49. To indicate that Germany was preferred over, or was superior to, other nations, the phrase would use the words “Deutschland [liebe ich] vor allem.”

50. The first line of the Horst-Wessel-Lied is: “Raise the flag, tightly close the ranks!” See, “Wer kennt das Deutschlandlied?” Deutsche Nationalzeitung, 10 July 1954.Google Scholar

51. “Für eine deutsche Nationalhymne,” Die Zeit, 23 August 1951.Google Scholar

52. “Die Nationalhymne,” Frankfurter Allgemeine Zeitung, 25 August 1951Google Scholar. Such reports furthered public misperception that Schumacher personally opposed the Deutschlandlied.

53. “Verhängnisvolle Geschehnisse belasten ein Lied,” Süddeutsche Zeitung, 12 November 1949Google Scholar; “Deutschland über alles?” Deutsche Zeitung und Wirtschafts-Zeitung, 1 September 1951.Google Scholar

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57. Letter by Poll, , “Die Nationalhymne,” Frankfurter Allgemeine Zeitung, 28 08 1951.Google Scholar

58. Quoted in “‘Hymne an Deutschland’ diskutiert: Pressekommentare und Stimmen aus dem Publikum,” Die Neue Zeitung, 9 January 1951.Google Scholar

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61. This concern that the Federal Republic's symbols speak to Germans in Soviet POW camps or in the GDR played a role in the adoption of the republican colors of black-red-gold and in the 1950s debate over the wearing of World War II military medals.

62. Heuss to Adenauer, 19 June 1951, in Mensing, , ed., Unserem Vaterlande, 7374.Google Scholar

63. Adenauer to Heuss, 26 June 1951, in ibid., 74.

64. “Erstmals wieder Deutschlandlied,” Frankfurter Allgemeine Zeitung, 12 July 1951Google Scholar; “Keine Zustimmung Adenauers,” ibid., 13 July 1951.

65. Reported in DrFranz, Lorenz, “Die ‘Hymne an Deutschland’ in der Volksmeinung,” Westdeutsche Rundschau, 3 03 1951.Google Scholar

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67. “Wir wollen unser Deutschland-Lied!” Flensburger Tageblatt, 3 March 1951.Google Scholar

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73. The first Adenauer government formed in 1949 was a coalition of the CDU-CSU, the FDP, and the DP. In 1953 the second Adenauer government included the previous coalition partners and the BHE.

74. Hans-Joachim von Merkatz, a member of the DP delegation to the Bundestag and observer to the Permanent Secretary in the Federal Ministry for the Affairs of the Bundesrat, informed the cabinet on 21 August 1951 of the DP's continuing support for the Deutschlandlied in its entirety. Adenauer instructed him that the first two verses of the anthem “are not well-suited to the present day; therefore, the German Party should reconsider the matter.” Bundesregierung, , “167. Kabinettssitzung am 21. August 1951,” Kabinettsprotokolle, 4:603.Google Scholar

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81. Efforts to create a German-German team failed. The International Olympic Committee then recognized the West German National Olympic Committee for Germany as the provisional German Olympic Committee. Only West German athletes participated in the 1952 Olympic Games.

82. A draft treaty for the European Defense Community was initialed by the intended participants in Bonn on 23 May 1952, and a related treaty ending the Federal Republic's occupied status was drafted. The French parliament rejected the proposed EDC in 1954, endangering the plans to grant sovereignty to the Federal Republic. In the fall of 1954 new agreements were reached in the Paris Treaties which allowed for the entry of the Federal Republic into NATO as an autonomous state. On 5 May 1955 the Occupation Statute lapsed, and the Federal Republic became sovereign.

83. Heuss, , memorandum concerning the national anthem, 3 April 1952Google Scholar, in Mensing, , ed., Unserem Vaterlande, 110.Google Scholar

84. Adenauer to Heuss, 29 April 1952; Heuss to Adenauer, 2 May 1952, in ibid., 111–14.

85. See “Unser deutsches Lied,” Christ und Welt (Stuttgart), 8 May 1952Google Scholar; “Die Koalition begrüsst die Hymne,” Frankfurter Allgemeine Zeitung, 6 May 1952.Google Scholar

86. “Symbole sind stark,” Ibid.

87. “Deutschlandlied von Heuss als Nationalhymne anerkannt,” Die Neue Zeitung, 6 May 1952.Google Scholar

88. Quoted in “Germany Keeps an Old Symbol,” New York Herald Tribune, 10 May 1952.Google Scholar

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90. “Wenn der Bundespräsident resigniert …,” National-Zeitung (Basel), 7 May 1952.Google Scholar

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95. The cool reaction of the Adenauer government to the March 1952 Stalin note, proposing a reunified, neutral Germany, probably encouraged the SED-leadership to view the adoption of the Deutschlandlied as a hostile act.

96. “SPD: Taktlosigkeit der Regierung,” Frankfurter Rundschau, 6 May 1952.Google Scholar

97. Heuss to Adenauer, 2 May 1952, in Mensing, , ed., Unserem Vaterlande, 113.Google Scholar

98. See Heuss to Adenauer, 6 December 1959, in idem, , Unserem Vaterlande, 292–94.Google Scholar

99. The editor had published a satirical text, Deutschlandlied '86, that was critical of contemporary German society.

100. This decision rejected the Federal Minister of Justice's contention that all three verses of the song constituted the national anthem. The court accepted the petitioner's argument that his right to artistic freedom had been violated by the lower courts' decisions. The petitioner had also argued that the law for the protection of state symbols was too vague, but the Court accepted this only insofar as it pertained to the first two verses of the Deutschlandlied. The Court found that the law clearly applied to the third verse. Bundesverfassungsgericht, , “Beschluß des Ersten Senats vom 7. März 1990,” Entscheidungen des Bundesverfassungsgerichts (Tübingen, 1990), 81:298309.Google Scholar

101. Letter to the editors by Kurt, Rothfuss, “Der Leser hat das Wort: Das Deutschlandlied und seine erste Strophe,” Das Parlament, 26 January 1955.Google Scholar