Hostname: page-component-848d4c4894-wg55d Total loading time: 0 Render date: 2024-05-28T23:04:10.430Z Has data issue: false hasContentIssue false
  • English
  • Français

A State of Perpetual Becoming: African Bodies as Texts, Methods, and Archives

Published online by Cambridge University Press:  02 April 2012

Awam Amkpa
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Dialogues: The State of the Body
Information
Dance Research Journal , Volume 42 , Issue 1 , Summer 2010 , pp. 83 - 88
Copyright
Copyright © Congress on Research in Dance 2010

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Browning, Barbara. 1995. Samba: Resistance in Motion. Bloomington: Indiana University Press.Google Scholar
Butler, Judith. 1993. Bodies That Matter. New York: Routledge.Google Scholar
Carson, Rachel. 1962. Silent Spring. Boston: Houghton Mifflin.Google Scholar
Deleuze, Gilles. 1992. Expressionism in Philosophy: Spinoza. New York: Zone Books.Google Scholar
Douglas, Mary. 1966/2002. Purity and Danger. New York: Routledge.Google Scholar
Fanon, Frantz. 1968. The Wretched of the Earth. New York: Grove Press.Google Scholar
Jameson, Frederic. 1984. “Periodizing the Sixties.” The Sixties without Apology, edited by Sayres, Sohnya et al., 178–209. Minneapolis: University of Minnesota Press.Google Scholar
Martin, Randy. 1990. Performance as Political Act: The Embodied Self. New York: Bergin and Garvey.Google Scholar
Mauss, Marcel. 1936/1973. “Techniques of the Body.” Economy and Society 2: 70–88.CrossRefGoogle Scholar
Zarrilli, Phillip. 2008. Psychophysical Acting. London: Routledge.Google Scholar