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Changed For Good: A Feminist History of the Broadway Musical. By Stacy Wolf. New York: Oxford University Press, 2011.

Published online by Cambridge University Press:  13 August 2013

Trudi Wright
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Type
Book Review
Information
Journal of the Society for American Music , Volume 7 , Issue 3 , August 2013 , pp. 338 - 342
Copyright
Copyright © The Society for American Music 2013 

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References

1 See, for example, Knapp's, RaymondThe American Musical and the Formation of National Identity (New York: Princeton University Press, 2005)Google Scholar; and his The American Musical and the Performance of Personal Identity (New York: Princeton University Press, 2009).

2 The second part of this definition comes from David Halperin, as quoted in Engel, Lehman, Words with Music: Creating the Musical Libretto, revised by Howard Kissel (New York: Applause Theatre and Cinema Books, 2006), 113Google Scholar.

3 Butler, Judith, “Performative Acts and Gender Constitution,” Theatre Journal 40/4 (December 1988): 519–31CrossRefGoogle Scholar.

4 McClary, Susan, Feminine Endings: Music, Gender, and Sexuality (Minneapolis: University of Minnesota Press, 1991)Google Scholar.