Hostname: page-component-848d4c4894-5nwft Total loading time: 0 Render date: 2024-05-31T21:46:19.092Z Has data issue: false hasContentIssue false
  • English
  • Français

Reformatted: Code, Networks, and the Transformation of the Music Industry. By Andrew Leyshon. Oxford: Oxford University Press, 2014. 199 pp. ISBN 978-0-19-957241-0

Published online by Cambridge University Press:  30 November 2015

Richard Osborne
Richard Osborne*
Affiliation:
Middlesex University, UK
*
R.Osborne@mdx.ac.uk
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
Popular Music , Volume 35 , Issue 1 , January 2016 , pp. 132 - 134
Copyright
Copyright © Cambridge University Press 2015 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Attali, J. 1985. Noise: The Political Economy of Music, trans. Massumi, B. (Manchester, Manchester University Press)Google Scholar
Southall, B. 2009. The Rise and Fall of EMI Records (London, Omnibus Press)Google Scholar