Sites of Performance: Of Time and Memory

Clark Lunberry

Sites of Performance

Of Time and Memory

A primary focus of 'Sites of Performance: Of Time and Memory' is the impact of time and memory as they intersect and constitute the varied spaces of theatre. These spaces include more traditional sites of theatre, such as those involving stages and curtains, actors and audiences, as well as those other theatres or spaces of performance that range from performance and installation art, to the performance of a string quartet, and from the writing of performance, to the performance of writing.

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Sites of Performance

Of Time and Memory

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Contents

Frontmatter
pp i-iv

Dedication
pp v-vi

Contents
pp vii-viii

Acknowledgements
pp ix-x

Preface
pp xi-xx

I - Stagings: Plays of Space
pp 1-2

Chapter 1 - A Body Bending: Removing the Boots of Beckett and Proust
pp 3-14

Chapter 2 - (Silence): Scripting Absence
pp 15-24

Chapter 3 - Blood on the Wall: The “True Tragic Pleasure” of Medea
pp 25-38

Chapter 4 - Coriolanus in the Marketplace
pp 39-56

II - Sightings: Sites of Time
pp 57-62

Chapter 5 - Antonin Artaud's Unending Death Rattle
pp 63-76

Chapter 6 - Writing upon Theaters of Tragic Thought
pp 77-88

Chapter 7 - Figures of Speech: Ann Hamilton's Installations of Absence
pp 89-102

Chapter 8 - Illuminated Theater: The Stages of James Turrell
pp 103-118

Chapter 9 - Suspicious Silence: Walking Out on John Cage
pp 119-132

Chapter 10 - In Living Memory: Morton Feldman's Departing Landscapes
pp 133-166

Postscript - Seeing in Plain Sight—Installations in Flight
pp 167-176

Bibliography
pp 177-180

Index
pp 181-186

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Sites of Performance

Of Time and Memory

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