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J. S. Bach
A Life in Music

$24.00 USD

  • Date Published: May 2007
  • availability: This ISBN is for an eBook version which is distributed on our behalf by a third party.
  • format: Adobe eBook Reader
  • isbn: 9780511275968

$ 24.00 USD
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About the Authors
  • Peter Williams approaches afresh the life and music of arguably the most studied of all composers, interpreting both Bach's life by deconstructing his original obituary in the light of more recent information and his music by evaluating his priorities and irrepressible creative energy. How, even though belonging to musical families on both his parents' sides, did he come to possess so bewitching a sense of rhythm and melody and a mastery of harmony that established nothing less than a norm in Western culture? In considering that the works of a composer are his biography, the book's title A Life in Music means both a life spent making music and one revealed in the music as we know it. A distinguished scholar and performer, Williams re-examines Bach's life as an orphan and family man, as an extraordinarily gifted composer and player and as an ambitious artist who never suffered fools gladly.

    • Deconstructs Bach's original obituary and his music to explore his career and personal life
    • Contains factual and critical content giving both a chronology and an evaluation of Bach's life and work
    • Rounded discussion from the perspective of an author who is both a scholar and performer
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    Reviews & endorsements

    'Peter Williams is a master of putting question marks where they belong. He is wise enough to admit that definite answers are rarely possible. Nevertheless, guided by the 1754 Obituary, he gives splendid food for thought with his penetrating insights and truly erudite suggestions.' Gustav Leonhardt

    Review of the hardback: '… its freshness of approach and practical knowledge of the music are enthralling.' The Herald

    '… it is in this combination of musicology, common-sense psychology and an almost Shakespearean sense of drama that I find Williams at his best.' Newsletter of the American Bach Society

    Review of the hardback: '… Williams is a writer both erudite and compelling … this is a biography unafraid to raise awkward questions and make a gallant attempt to answer them … William's study, a substantial read, fills an important place in English language Bach literature.' BBC Music Magazine

    Review of the hardback: 'Peter Williams' observations in this … well-written volume add an imaginative and fresh dimension that will keep the 'little grey cells' charged … [This] volume could be a useful 'precursor' and we are the beneficiaries as a result.' The Journal of the London Bach Society

    Review of the hardback: 'Williams's book is dense and challenging … a rewarding read, certain to enthral equally any lover of Bach's music and admirer of the techniques of forensic enquiry.' Musical Times

    '… a biography that inspires engagement …' Choir and Organ

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    Product details

    • Date Published: May 2007
    • format: Adobe eBook Reader
    • isbn: 9780511275968
    • contains: 2 maps
    • availability: This ISBN is for an eBook version which is distributed on our behalf by a third party.
  • Table of Contents

    1. Early years, 1685–1703
    2. First appointments, 1703–8
    3. Weimar, 1708–17
    4. Cöthen, 1717–23
    5. Leipzig, the first years
    6. Leipzig, the middle years
    7. Leipzig, the final years
    8. Observations, descriptions, criticisms
    Epilogue
    Postscript.

  • Author

    Peter Williams, Duke University, North Carolina
    Peter Williams (1937–2016) held the first Chair in Performance Practice in Britain at the University of Edinburgh, where he was first Director of the Russell Collection of Harpsichords and latterly Dean of Music. He was also the first Arts and Sciences Distinguished Chair at Duke University, North Carolina. He authored many books, including The European Organ (1966), Bach: The Goldberg Variations (Cambridge, 2001), Figured Bass Accompaniment (1970), The Organ in Western Culture, 750–1250 (Cambridge, 1993), The Chromatic Fourth during Four Centuries of Music (1998) and The Organ Music of J. S. Bach (Cambridge, 2003).

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