Other available formats:
Looking for an examination copy?
If you are interested in the title for your course we can consider offering an examination copy. To register your interest please contact firstname.lastname@example.org providing details of the course you are teaching.
The relief slabs that decorated the palaces of the Neo-Assyrian Empire, which emphasized military conquest and royal prowess, have traditionally been understood as statements of imperial propaganda that glorified the Assyrian king. In this book, Mehmet-Ali Ataç argues that the reliefs hold a deeper meaning that was addressed primarily to an internal audience composed of court scholars and master craftsmen. Ataç focuses on representations of animals, depictions of the king as priest and warrior, and figures of mythological beings that evoke an archaic cosmos. He demonstrates that these images mask a complex philosophical rhetoric developed by court scholars in collaboration with master craftsmen who were responsible for their design and execution. Ataç argues that the layers of meaning embedded in the Neo-Assyrian palace reliefs go deeper than politics, imperial propaganda, and straightforward historical record.Read more
- Explains the layers of meaning behind Neo-Assyrian palace reliefs
- Special focus upon visual representations of animals and the king as priest and warrior
- Explores ancient Mesopotamian kingship and religion
Reviews & endorsements
“There is much in this book that ancient and art historians will find of interest. The method of analyzing Assyrian art in the light of the wide body of textual sources and comparative mythology is most welcome.” --Bryn Mawr Classical ReviewSee more reviews
“All interested in the adaptation of primordial myth to illustrate a later art will find many thought-provoking observations in this book.” --American Journal of Archaeology
“The field of ancient Near Eastern studies has traditionally been characterized by the philological virtue of attending closely to the text. Ataç’s book demonstrates how this virtue is as relevant to the reading of visual material as it is to the study of verbal records.” --Journal of the American Oriental Society
Not yet reviewed
Be the first to review
Review was not posted due to profanity×
- Date Published: February 2010
- format: Hardback
- isbn: 9780521517904
- length: 300 pages
- dimensions: 260 x 184 x 20 mm
- weight: 0.8kg
- contains: 130 b/w illus.
- availability: In stock
Table of Contents
Part I. Human and Animal Ontology in Assyrian Art: Introduction
1. Ashurnasirpal II
2. Tiglath-Pileser III
3. Sargon II
Conclusion to Part I
Part II. Kingship and Priesthood in the Art of Ashurnasirpal II: Introduction
6. The king, non-king
7. 'La sale dite 'g''
8. The mixta persona
9. The king and the 'sacred tree'
10. The encounter
Conclusion to Part II
Part III. The Semantics of Sages and Mischwesen in Assyrian Art and Thought: Introduction
11. Before the flood
12. Fertilization and purification
13. King the man, the king-man
14. 'Tiamat's brood'
15. The ancient Mesopotamian flood traditions
16. Lord of the netherworld
Conclusion to Part III
Sorry, this resource is locked
Please register or sign in to request access. If you are having problems accessing these resources please email email@example.comRegister Sign in
You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner www.ebooks.com. Please see the permission section of the www.ebooks.com catalogue page for details of the print & copy limits on our eBooks.Continue ×