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Between the Civil War and the First World War, realism was the most prominent form of American fiction. Realist writers of the period include some of America's greatest, such as Henry James, Edith Wharton and Mark Twain, but also many lesser-known writers whose work still speaks to us today, for instance Charles Chesnutt, Zitkala-Ša and Sarah Orne Jewett. Emphasizing realism's historical context, this introduction traces the genre's relationship with powerful, often violent, social conflicts involving race, gender, class and national origin. It also examines how the realist style was created; the necessarily ambiguous relationship between realism produced on the page and reality outside the book; and the different, often contradictory, forms 'realism' took in literary works by different authors. The most accessible yet sophisticated account of American literary realism currently available, this volume will be of great value to students, teachers and readers of the American novel.Read more
- Ideal for use in courses on nineteenth-century American literature
- Provides a sophisticated account of recent scholarly approaches to literary realism
- Covers Twain, Howells, Jewett, James, Chesnutt, Wharton and many other writers of the period
Reviews & endorsements
"...Phillip Barrish, exemplifying what Howells might have called “that strange duplex action of the human mind,” offers us a rare scholarly treasure: a volume that is at once elementary in its sweeping presentation of the field and challenging for more experienced scholars of realism, who will find abundant food for thought in Barrish’s insightful readings of well-known texts." --American Literary Realism
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- Date Published: November 2011
- format: Paperback
- isbn: 9780521050104
- length: 240 pages
- dimensions: 228 x 153 x 13 mm
- weight: 0.39kg
- contains: 2 b/w illus.
- availability: In stock
Table of Contents
Introduction: American literary realism
1. Literary precursors, literary contexts
2. The 'look of agony' and everyday middle-class life: three transitional works
3. Creating the 'odor' of the real: techniques of realism
4. Conflicting manners: high realism and social competition
5. 'Democracy in literature'? Literary regionalism
6. 'The blab of the pave': realism and the city
7. Crisis of agency: literary naturalism, the changing economy, and 'masculinity'
8. 'Certain facts of life': realism and feminism
9. 'The unjust spirit of caste': race and realism
10. New Americans write realism
Conclusion: realisms after realism
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