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Richardson's 'Clarissa' and the Eighteenth-Century Reader

$45.00 (R)

Part of Cambridge Studies in Eighteenth-Century English Literature and Thought

  • Date Published: June 2004
  • availability: Available
  • format: Paperback
  • isbn: 9780521604406

$ 45.00 (R)
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About the Authors
  • Written as a collection of letters in which very different accounts of the action are unsupervised by sustained authorial comment, Richardson's novel Clarissa offers an extreme example of the capacity of narrative to give the reader final responsibility for resolving or construing meaning. It is paradoxical then that its author was a writer committed to avowedly didactic goals. Tom Keymer counters the tendency of recent critics to suggest that Clarissa's textual indeterminacy defeats these goals by arguing that Richardson pursues subtler and more generous means of educating his readers by making them 'if not Authors, Carvers' of the text. Discussing Richardson's use of the epistolary form throughout his career, Keymer goes on to focus in detail on the three instalments in which Clarissa was first published, drawing on the documented responses of its first readers to illuminate his technique as a writer and set the novel in its contemporary ethical, political and ideological context.

    • Reassesses Richardson's purpose of writing Clarissa in an epistolary style
    • Draws on the documented response to the first three installments of Clarissa
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    Product details

    • Date Published: June 2004
    • format: Paperback
    • isbn: 9780521604406
    • length: 296 pages
    • dimensions: 229 x 152 x 17 mm
    • weight: 0.44kg
    • contains: 1 b/w illus.
    • availability: Available
  • Table of Contents

    Preface
    A note on references and abbreviations
    1.Reading epistolary fiction
    2. Casuistry in Clarissa
    3. The part of the serpent
    4. Forensic realism
    Postscript
    Bibliography
    Index.

  • Author

    Tom Keymer, University of Toronto

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