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Recent developments in critical theory form the basis for this new study of Dostoyevsky which evaluates the radical contributions to Dostoyevsky criticism made by the critic and literary theorist M.M. Bakhtin. Malcolm Jones first redefines Dostoyevsky's much-debated "fantastic realism"; accepting Bakhtin's reading of Dostoyevsky in its essentials, he seeks out its weaknesses and develops it in new directions. Taking well-known texts by Dostoyevsky in turn, Jones illustrates aspects of their multivoicedness: the emotional and intellectual turmoil suffered by individual characters in the novels; the frequent surprises that undermine the confidence of readers (and other characters) who suppose they have fully understood a character; and finally some of the ways in which Dostoyevsky's texts make use of both factual documentation and Romantic traditions of unreality.
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"...Jones carves out a valuable and provocative place for Dostoyevsky within modernity's general rejections of historical rationalism. The result is clearly fertile ground for newer critical concepts through which to reread Dostoevsky." Roger Anderson, Russian Review
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- Date Published: October 2005
- format: Paperback
- isbn: 9780521021364
- length: 240 pages
- dimensions: 216 x 140 x 14 mm
- weight: 0.31kg
- availability: Available
Table of Contents
1. Introduction: Dostoyevsky's fantastic realism
Part I. The Underground:
2. The double: Dostoyevsky's idea for the Double
3. Notes from Underground: the discovery of 'the underground'
Part II. Driving People Crazy:
4. Crime and Punishment: driving other people crazy
5. The Devil: driving society crazy
6. The Idiot: driving the reader crazy
Part III. Chinese Whispers:
7. The Marion motif: the whisper of the precursor
8. The Brothers Karamazov: the whisper of God
9. Conclusion: Dostoyevsky's fantastic realism
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