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Shakespeare Survey

Volume 68. Shakespeare, Origins and Originality

$130.00 (R)

Part of Shakespeare Survey

Margreta de Grazia, Laurie Maguire, Emma Smith, Gary Taylor, John V. Nance, Péter Dávidházi, Catherine Belsey, Alfredo Michel Modenessi, Tom Cheesman, Stanley Wells, Janet Clare, Farah Karim-Cooper, James Hirsh, Jean-Christophe Mayer, Ruth Morse, Bi-qi Beatrice Lei, Jyotsna G. Singh, Abdulhamit Arvas, Peter Holland, Andrew James Hartley, Kate Flaherty, Michael Dobson, David Kathman, Andrew Murphy, Bettina Boecker, Robert Shaughnessy, Ewan Fernie, Nicholas Crawford, Jelena Marelj, Lynn Forest-Hill, Carol Chillington Rutter, James Shaw, Charlotte Scott, Russell Jackson, Peter Kirwan
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  • Date Published: November 2015
  • availability: In stock
  • format: Hardback
  • isbn: 9781107108844

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About the Authors
  • Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, the Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for Volume 68 is 'Shakespeare, Origins and Originality'. The complete set of Survey volumes is also available online at http://www.cambridge.org/online/shakespearesurvey. This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic, and save and bookmark their results.

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    Product details

    • Date Published: November 2015
    • format: Hardback
    • isbn: 9781107108844
    • length: 487 pages
    • dimensions: 253 x 196 x 31 mm
    • weight: 1.11kg
    • contains: 35 b/w illus.
    • availability: In stock
  • Table of Contents

    1. Shakespeare's anecdotal character Margreta de Grazia
    2. What is a source? Or, how Shakespeare read His Marlowe Laurie Maguire and Emma Smith
    3. Imitation or collaboration? Marlowe and the early Shakespeare canon Gary Taylor and John V. Nance
    4. 'O Jephthah, judge of Israel': from original to accreted meanings in Hamlet's allusion Péter Dávidházi
    5. The elephants' graveyard revisited: Shakespeare at work in Antony and Cleopatra, Romeo and Juliet and All's Well That Ends Well Catherine Belsey
    6. 'Every like is not the same': translating Shakespeare in Spanish today Alfredo Michel Modenessi
    7. Reading originals by the light of translations Tom Cheesman
    8. 'My name is Will': Shakespeare's sonnets and autobiography Stanley Wells
    9. Tracings and data in The Tempest: author, world and representation Janet Clare
    10. Shakespearean gesture: narrative and iconography Farah Karim-Cooper
    11. The origin of the late Renaissance dramatic convention of self-addressed speech James Hirsh
    12. Reading in their present: early readers and the origins of Shakespearian appropriation Jean-Christophe Mayer
    13. Shakespeare out of time (or, Hugo takes dictation from the beyond) Ruth Morse
    14. Betrayal, derail, or a thin veil: the myth of origin Bi-qi Beatrice Lei
    15. Global Shakespeares, affective histories, cultural memories Jyotsna G. Singh and Abdulhamit Arvas
    16. Spinach and tobacco: making Shakespearian unoriginals Peter Holland
    17. Ren Fest Shakespeare: the cosplay Bard Andrew James Hartley
    18. 'Dead as earth': contemporary topicality and myths of origin in King Lear and The Shadow King Kate Flaherty
    19. Shakespeare and the idea of national theatres Michael Dobson
    20. John Rice and the boys of the Jacobean King's Men David Kathman
    21. Shakespeare's Irish lives: the politics of biography Andrew Murphy
    22. Shakespeare in blockaded Berlin: the 1948 'Elizabethan Festival' Bettina Boecker
    23. Connecting the Globe: actors, audience and entrainment Robert Shaughnessy
    24. 'Freetown!': Shakespeare and social flourishing Ewan Fernie
    25. We'll always have Paris: the third household and the 'bed of death' in Romeo and Juliet Nicholas Crawford
    26. The 'serpent of old Nile': Cleopatra and the pragmatics of reported speech Jelena Marelj
    27. 'This insubstantial pageant faded': the drama of semiotic anxiety in The Tempest Lynn Forest-Hill
    28. Shakespeare performances in England 2014 Carol Chillington Rutter
    29. Professional Shakespeare productions in the British Isles, January–December 2013 James Shaw
    The year's contribution to Shakespeare studies:
    1. Critical studies Charlotte Scott
    2. Shakespeare in performance Russell Jackson
    3. Editions and textual studies Peter Kirwan.

  • Editor

    Peter Holland, University of Notre Dame, Indiana
    Peter Holland is McMeel Family Professor in Shakespeare Studies and Department Chair, Department of Film, Television and Theater at the University of Notre Dame.

    Contributors

    Margreta de Grazia, Laurie Maguire, Emma Smith, Gary Taylor, John V. Nance, Péter Dávidházi, Catherine Belsey, Alfredo Michel Modenessi, Tom Cheesman, Stanley Wells, Janet Clare, Farah Karim-Cooper, James Hirsh, Jean-Christophe Mayer, Ruth Morse, Bi-qi Beatrice Lei, Jyotsna G. Singh, Abdulhamit Arvas, Peter Holland, Andrew James Hartley, Kate Flaherty, Michael Dobson, David Kathman, Andrew Murphy, Bettina Boecker, Robert Shaughnessy, Ewan Fernie, Nicholas Crawford, Jelena Marelj, Lynn Forest-Hill, Carol Chillington Rutter, James Shaw, Charlotte Scott, Russell Jackson, Peter Kirwan

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