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Style, Computers, and Early Modern Drama

Style, Computers, and Early Modern Drama
Beyond Authorship

$99.99 (C)

  • Publication planned for: October 2017
  • availability: Not yet published - available from October 2017
  • format: Hardback
  • isbn: 9781107191013

$ 99.99 (C)
Hardback

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About the Authors
  • Hugh Craig and Brett Greatley-Hirsch extend the computational analysis introduced in Shakespeare, Computers, and the Mystery of Authorship (edited by Hugh Craig and Arthur F. Kinney; Cambridge, 2009) beyond problems of authorship attribution to address broader issues of literary history. Using new methods to answer long-standing questions and challenge traditional assumptions about the underlying patterns and contrasts in the plays of Shakespeare and his contemporaries, Style, Computers, and Early Modern Drama sheds light on, for example, different linguistic usages between plays written in verse and prose, company styles and different character types. As a shift from a canonical survey to a corpus-based literary history founded on a statistical analysis of language, this book represents a fundamentally new approach to the study of English Renaissance literature and proposes a new model and rationale for future computational scholarship in early modern literary studies.

    • This book aims to take computational stylistics out of the specialist realm and into the mainstream
    • A wide-ranging appeal, including early modernists, Shakespeare scholars, those working in the digital humanities and those who specialise in computational linguistics
    • Employs new methods to shed light on, for example, different company and repertory styles, and the styles of different character types
    Read more

    Reviews & endorsements

    Advance praise: 'This is an outstanding book of major importance to the field of Shakespeare studies specifically and to the wider field of literary studies in general. As well as conveying new knowledge of exceptional interest, it is written in a style that makes it comprehensible by a wide, non-specialist readership. I anticipate that it will generate intense interest, not least because it debunks a series of current myths about authorship and the style of drama in Shakespeare's time, and introduces new methods of literary criticism.' Gabriel Egan, De Montfort University

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    Product details

    • Publication planned for: October 2017
    • format: Hardback
    • isbn: 9781107191013
    • dimensions: 228 x 152 mm
    • availability: Not yet published - available from October 2017
  • Table of Contents

    1. Methods
    2. Prose and verse: sometimes 'transparent', sometimes meeting with 'a jolt'
    3. Sisters under the skin: character and style
    4. Stage properties: bed, blood, and beyond
    5. 'Novelty carries it away': cultural drift
    6. Authorship, company style, and horror vacui
    7. Restoration plays and 'the giant race, before the flood'.

  • Authors

    Hugh Craig, University of Newcastle, New South Wales
    Hugh Craig, University of Newcastle, New South Wales, Australia, has published on authorship attribution problems, mainly in Shakespeare, and on wider stylistic questions. He has ongoing collaborations in bioinformatics and speech pathology, resulting in articles in some leading science journals. He is on the Authorship Attribution Board for the New Oxford Shakespeare and is a Fellow of the Australian Academy of the Humanities.

    Brett Greatley-Hirsch, University of Leeds
    Brett Greatley-Hirsch is University Academic Fellow in Textual Studies and Digital Editing at the University of Leeds. He is Coordinating Editor of Digital Renaissance Editions, and co-editor of Shakespeare, the journal of the British Shakespeare Association. Before moving to the UK, he served as Vice President of the Australian and New Zealand Shakespeare Association.

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