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Bach's Numbers
Compositional Proportion and Significance

$34.99 (C)

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  • Date Published: October 2016
  • availability: Available
  • format: Paperback
  • isbn: 9781107459694

$ 34.99 (C)
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About the Authors
  • In eighteenth-century Germany the universal harmony of God's creation and the perfection of its proportions still held philosophical, moral and devotional significance. Reproducing proportions close to the unity (1:1) across compositions could render them beautiful, perfect and even eternal. Using the principles of her groundbreaking theory of proportional parallelism and the latest source study research, Ruth Tatlow reveals how Bach used the number of bars to create numerical perfection across his published collections, and explains why he did so. The first part of the book illustrates the wide-ranging application of belief in the unity, showing how planning a well-proportioned structure was a normal compositional procedure in Bach's time. In the second part Tatlow presents practical demonstrations of this in Bach's works, illustrating the layers of proportion that appear within a movement, a work, between two works in a collection, across a collection and between collections.

    • Proposes a new theoretical basis for Bach's compositional method
    • Part I provides comprehensive coverage of the evidence supporting every aspect of the theory of proportional parallelism
    • Part II uses practical demonstrations to apply the new method to all of Bach's works
    Read more

    Awards

    • Winner, 2016 Choice Outstanding Academic Title

    Reviews & endorsements

    "For anyone who wishes to explore the logical pathways of Bach's genius, Tatlow's analysis gets to the heart of the aesthetic, theological and Pythagorean presuppositions underlying the Bachian concepts of 'Vollkommenheit', perfection through calculation; and 'Harmonie' … the harmony of proportion, here a mirror of divine order."
    Gian Mario Benzing, translated from Corriere della Sera (La Lettura)

    'For anyone who wishes to explore the logical pathways of Bach's genius, Tatlow's analysis gets to the heart of the aesthetic, theological and Pythagorean presuppositions underlying the Bachian concepts of 'Vollkommenheit', perfection through calculation; and 'Harmonie' … the harmony of proportion, here a mirror of divine order.' Gian Mario Benzing, translated from Corriere della Sera (La Lettura)

    '… Tatlow’s approach to the subject matter is unique, and the vigorousness with which her methodology is applied has uncovered numerous new and unexpected facts. Bach scholarship cannot ignore her voice.' Yo Tomita, Music and Letters

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    Product details

    • Date Published: October 2016
    • format: Paperback
    • isbn: 9781107459694
    • length: 430 pages
    • dimensions: 244 x 170 x 22 mm
    • weight: 0.68kg
    • contains: 9 b/w illus. 119 tables
    • availability: Available
  • Table of Contents

    Part I. Foundations:
    1. Bach's numbers
    2. Symmetry, proportion and parallels
    3. Unity, proportions and universal harmony in Bach's world
    4. Bars, compositional planning and proportional parallelism
    Part II. Demonstrations:
    5. Three collections for strings
    6. Four in two collections for keyboard
    7. Two further collections for keyboard
    8. Two small late collections
    9. Two large late collections
    10. Collections of concertos
    11. Collections of organ works
    12. Great passions and cantatas
    13. Festive cut-and-paste projects: masses and oratorios
    14. Lost blueprints
    Appendix 1. Chronological index of musical doctrine.

  • Author

    Ruth Tatlow
    British-Swedish musicologist Ruth Tatlow is an independent scholar based in Stockholm. Her research into Bach's use of numbers led from her classic monograph Bach and the Riddle of the Number Alphabet (Cambridge, 1991) to its sequel Bach Numbers, through publications on methodology, inventive techniques and the theory of proportional parallelism. In 2004 she co-founded Bach Network UK (BNUK), establishing its open access web-journal Understanding Bach in 2006. She is currently Chair of the BNUK Council, joint editor of Understanding Bach, and a member of the Editorial Board of the American Bach Society. Her research has attracted awards and grants from numerous sources including the Swedish Research Council, the Royal Swedish Academy of Music, the Society of Authors of Great Britain, the British Council, The Hinrichsen Foundation, The Leverhulme Trust and the Royal Swedish Academy of Letters.

    Awards

    • Winner, 2016 Choice Outstanding Academic Title

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