How did revolutionary America appear to European audiences through their opera glasses? The operas studied in this volume are populated by gun-toting and slave-holding Quakers, handsome Native Americans, female middle-class political leaders, rebellious British soldiers and generous businessmen. Most of them display an unprecedented configuration of social and gender roles, which led leading composers of the time, including Mozart, Haydn, Anfossi, Piccinni and Paisiello, to introduce far-reaching innovations in the musical and dramatic fabric of Italian opera. Polzonetti presents a fresh perspective on the European cultural reception of American social and political identity. Through detailed but accessible analysis of music examples, including previously unpublished musical sources, the book documents and explains important transformations of opera at the time of Mozart's masterpieces, and its long-term consequences up to Puccini. Shedding new light on familiar and less-familiar operatic works, the study represents groundbreaking research in music, cultural and political history.Read more
- Provides new interpretations of Mozart and Haydn, showing a completely new perception of Mozart's and Haydn's world as a vibrant cultural environment open to global culture and radical ideas coming from America
- Based on newly discovered evidence and drawing upon previously unpublished musical sources, the book will inspire further research on libretti and scores on which there is very little literature
- Discusses some of the basic conventions of Italian opera, including stock roles, aria types and forms, and differences between seria and comic opera, showing how composers could break conventions to convey radical ideas
- Winner of the 2012 Lewis Lockwood Award, American Musicological Society
Reviews & endorsements
"… a highly original study that explores, with extraordinary flair and engaging prose, views of America and Americans in eighteenth-century Italian opera, venturing into repertories unfamiliar to most opera specialists and offering a fresh perspective on European cultural reception of American social and political identity. The author demonstrates an erudite command of musical, literary, political and social texts, revealing, through a broadly contextual approach, not only how Revolutionary America was perceived by European opera audiences, but how a little-studied repertory influenced dramatic innovations in the opera buffa repertory of the era's major composers."
Lewis Lockwood Award committee, American Musicological SocietySee more reviews
"Rigor, learnedness, erudition and topicality leap off the page of this richly documented and engagingly written book."
Caryl Clark, University of Toronto
"This fascinating book answers the question posed by the author: 'how did revolutionary America appear to European audiences through their opera glasses?' Polzonetti, writing in a totally engaging style, describes in great detail how eighteenth-century Italian opera portrayed the characters (both real and imagined) and the very character of a new and exotic country in which 'Quakers have guns, slave-holders are remorseful and merciful, businessmen are generous, savages can be more civilized than savage European soldiers, women are strong and men are good-looking'."
Early Music America
"An intriguing theory that sets the seal on a thoughtful, wide-ranging exploration of a largely forgotten repertory the importance of which Polzonetti argues persuasively."
Not yet reviewed
Be the first to review
Review was not posted due to profanity×
- Date Published: April 2011
- format: Hardback
- isbn: 9780521897082
- length: 398 pages
- dimensions: 229 x 152 x 22 mm
- weight: 0.7kg
- contains: 4 b/w illus. 7 tables 50 music examples
- availability: Available
Table of Contents
1. The changing world of the moon
2. Worlds up and upside down
3. Montezuma and the exotic Europeans
4. Cecchina goes to America
5. A Californian goes to Europe
6. Americans in the storm
7. The good Quaker and his slaves
8. Quakers with guns
Epilogue: Figaro's transatlantic crossings.
Sorry, this resource is locked
Please register or sign in to request access. If you are having problems accessing these resources please email email@example.comRegister Sign in
You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner www.ebooks.com. Please see the permission section of the www.ebooks.com catalogue page for details of the print & copy limits on our eBooks.Continue ×