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Listening for Utopia in Ernst Bloch's Musical Philosophy

$107.00

  • Date Published: August 2010
  • availability: In stock
  • format: Hardback
  • isbn: 9780521896153

$107.00
Hardback

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About the Authors
  • The musical writings of the German philosopher and theorist Ernst Bloch are extraordinarily rich, but also unusually dense, at times even cryptic. Bloch, a profoundly heterodox thinker, brilliantly wove cultural criticism into a larger project of what he termed ‘revolutionary gnosis'. Listening for Utopia is both an explication of Bloch's musical thought and a critical development of it. Ultimately, the book seeks to reanimate Bloch's philosophy of music in ways that connect with current musicology. The work begins with a detailed study of concepts crucial to Bloch's aesthetics that situates them within both his philosophical system and German critical theory of the early twentieth century. The second half of the book comprises a series of essays that take up key ideas from Bloch, decipher them through contextual and close reading, and develop them through critical application to salient musical masterpieces by Wagner, Mozart, Bruckner and Brahms.

    • Places Bloch's musical thought in the context of the ideological and intellectual traditions from which it emerged
    • Uses ideas and concepts adapted from Bloch's musical writings as the starting point for critical essays on Wagner, Mozart, Bruckner, and Brahms
    • Makes Bloch's complex and challenging musical philosophy accessible for modern musical scholars
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    Reviews & endorsements

    Advance Endorsement Despite Ernst Bloch’s significance for the philosophical reception of Austro-German music, his work has too often been overlooked in the literature, eclipsed especially by his contemporary Adorno. Benjamin Korstvedt’s Listening for Utopia offers a welcome corrective to this tendency. Marshalling a formidable knowledge of Bloch’s writings and their cultural context, and viewing it through the prism of his views on the music of Mozart, Wagner, Brahms and Bruckner, Korstvedt mixes clear and insightful commentary on Bloch’s ideas with apposite studies of their musicological and music-analytical implications. The result is a most valuable contribution to our understanding of both Bloch and the repertoire he addressed. Julian Horton Associate Professor of Music, University College Dublin

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    Product details

    • Date Published: August 2010
    • format: Hardback
    • isbn: 9780521896153
    • length: 234 pages
    • dimensions: 255 x 182 x 16 mm
    • weight: 0.64kg
    • contains: 33 b/w illus. 33 music examples
    • availability: In stock
  • Table of Contents

    Preface
    Introduction
    1. Bloch's Teppich: an initial approach
    2. On the genealogy of the Teppich: metaphor before Bloch
    3. The conceptual constellation of Bloch's musical philosophy
    4. Entering Bloch's musical system
    5. Wagner's animal lyricism
    6. Bloch's vision of the armored men, or the limits of enlightenment
    7. The achievement of symphonic authenticity
    8. Epilogue: an atheism of presence and absence
    Bibliography.

  • Author

    Benjamin M. Korstvedt, Clark University, Massachusetts
    Benjamin M. Korstvedt is the George N. and Selma U. Jeppson Professor of Music at Clark University, Worcester, Massachusetts and a former Senior Fellow at the Internationales Forschungszentrum Kulturwissenschaften in Vienna. He is the author of Bruckner: Symphony No. 8 in the Cambridge Music Handbooks series, and has published articles on Bruckner's symphonies, music criticism in fin-de-siécle Vienna, and Bruckner scholarship in the Third Reich. He is the editor of the first modern edition of the 1888 version of Bruckner's Fourth Symphony, which is published as part of the Bruckner Collected Works edition (Vienna, 2004) and has been widely performed and recorded.

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