The Films of Ingmar Bergman
This volume provides a concise overview of the career of one of the modern masters of world cinema. Jesse Kalin defines Bergman's conception of the human condition as a struggle to find meaning in life as it is played out. For Bergman, meaning is achieved independently of any moral absolute and is the result of a process of self-examination. Six existential themes are explored repeatedly in Bergman's films: judgment, abandonment, suffering, shame, a visionary picture, and above all, turning toward or away from others. Kalin examines how Bergman examines these themes cinematically, through close analysis of eight films: well known favorites such as Wild Strawberries, The Seventh Seal, Smiles of a Summer Night, and Fanny and Alexander; and important but lesser known works, such as Naked Night, Shame, Cries and Whispers, and Scenes from a Marriage.
- Accessible to students, of interest to scholars
- Discussions of key images that occur throughout Bergman's films
- Philosophical approach to films
Product details
October 2003Paperback
9780521389778
268 pages
229 × 152 × 15 mm
0.43kg
23 b/w illus.
Available
Table of Contents
- 1. Introduction: The geography of the soul
- Part I. The Films of the Fifties:
- 2. The primal seen: The Clowns' Evening
- 3. The journey: The Seventh Seal and Wild Strawberries
- 4. The great dance: Smiles of a Summer Night
- Part II: Second Thoughts:
- 5. A dream play: Shame
- 6. The illiterates: Cries and Whispers, Scenes from a Marriage, and the Films of the 1970s
- Part III: A Final Look:
- 7. The little world: Fanny and Alexander
- Afterwards: Biographical note
- Bergman and existentialism: a brief comment
- A note on Woody Allen
- Appendix.