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The Films of Ingmar Bergman

The Films of Ingmar Bergman

The Films of Ingmar Bergman

Jesse Kalin, Vassar College, New York
October 2003
Paperback
9780521389778

    This volume provides a concise overview of the career of one of the modern masters of world cinema. Jesse Kalin defines Bergman's conception of the human condition as a struggle to find meaning in life as it is played out. For Bergman, meaning is achieved independently of any moral absolute and is the result of a process of self-examination. Six existential themes are explored repeatedly in Bergman's films: judgment, abandonment, suffering, shame, a visionary picture, and above all, turning toward or away from others. Kalin examines how Bergman examines these themes cinematically, through close analysis of eight films: well known favorites such as Wild Strawberries, The Seventh Seal, Smiles of a Summer Night, and Fanny and Alexander; and important but lesser known works, such as Naked Night, Shame, Cries and Whispers, and Scenes from a Marriage.

    • Accessible to students, of interest to scholars
    • Discussions of key images that occur throughout Bergman's films
    • Philosophical approach to films

    Product details

    October 2003
    Paperback
    9780521389778
    268 pages
    229 × 152 × 15 mm
    0.43kg
    23 b/w illus.
    Available

    Table of Contents

    • 1. Introduction: The geography of the soul
    • Part I. The Films of the Fifties:
    • 2. The primal seen: The Clowns' Evening
    • 3. The journey: The Seventh Seal and Wild Strawberries
    • 4. The great dance: Smiles of a Summer Night
    • Part II: Second Thoughts:
    • 5. A dream play: Shame
    • 6. The illiterates: Cries and Whispers, Scenes from a Marriage, and the Films of the 1970s
    • Part III: A Final Look:
    • 7. The little world: Fanny and Alexander
    • Afterwards: Biographical note
    • Bergman and existentialism: a brief comment
    • A note on Woody Allen
    • Appendix.
      Author
    • Jesse Kalin , Vassar College, New York