Danse Macabre
Temporalities of Law in the Visual Arts
AUD$45.95 inc GST
- Author: Desmond Manderson, Australian National University, Canberra
- Date Published: December 2020
- availability: Available
- format: Paperback
- isbn: 9781316611265
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The visual arts offer refreshing and novel resources through which to understand the representation, power, ideology and critique of law. This vibrantly interdisciplinary book brings the burgeoning field to a new maturity through extended close readings of major works by artists from Pieter Bruegel and Gustav Klimt to Gordon Bennett and Rafael Cauduro. At each point, the author puts these works of art into a complex dance with legal and social history, and with recent developments in legal and art theory. Manderson uses the idea of time and temporality as a focal point through which to explore how the work of art engages with and constitutes law and human lives. In the symmetries and asymmetries caused by the vibrating harmonic resonances of these triple forces - time, law, art - lies a way of not only understanding the world, but also transforming it.
Read more- Connects legal ideas to two major new turns in contemporary research - towards time, and visual studies
- Engages with specific works of art from the sixteenth to the twenty-first century
- Discusses the intersection of law and art
Awards
- Winner, 2019 Penny Pether Prize for Scholarship in Law, Literature and the Humanities, Law Literature and Humanities Association of Australasia
Reviews & endorsements
'This book dances indeed. Moving deftly from one angle of the triangle of time, law, and art, to the other, this book shows - through a great variety of artworks, all taken up in detail - the complexities and the consequences of these pluralities. There is no other book which does this in such depth in all three fields. We know that law does not equal justice, that the line between law and genocide is flint-thin, and that the time of the clock is very different from the temporalities we experience. That law's dance has death at its heart is a fact of life, but that so many artists in so many different cultural places and moments have been able to make this sensuously perceptible and deploy it as a cry for a justice that is, precisely, not blind: this is what Manderson demonstrates in this utterly enjoyable book.' Mieke Bal, Cultural theorist, critic, video artist and curator
See more reviews'Quondam musician and part-time playwright, full-time jurist, artisan and aesthete, Manderson extracts, expounds and exemplifies the reinvention and relocation of law in its artistic context. Danse Macabre bravely overcomes the jurist's twin fears: of the image, and of theory. This book brilliantly interprets the art that surrounds law as a compelling narrative of justice and of failing legality.' Peter Goodrich, Director of Law and Humanities, Benjamin N. Cardozo School of Law, Yeshiva University, New York
'Drawing on recent psychoanalytical, hermeneutic and phenomenological approaches to the histories of art, Manderson weaves a history of the law from 1500 to the present day - a history that neither progresses nor unravels but keeps returning to the archetypal, indeed holy, trinity of law, death and time, which he argues inhabits and manifests in art. Through a close and extended reading of his chosen artworks, and through the innovative methodologies he uses to unpack them, Manderson's chapters build like symphonic movements into a veritable masterclass in the historiography of art. Art, Manderson argues, cannot escape the deathly grip of the law and its temporality - a grip, he argues, that will always entice and elude us.' Ian McLean, Hugh Ramsay Chair of Australian Art History, University of Melbourne
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×Product details
- Date Published: December 2020
- format: Paperback
- isbn: 9781316611265
- length: 307 pages
- dimensions: 229 x 152 x 16 mm
- weight: 0.415kg
- contains: 56 b/w illus.
- availability: Available
Table of Contents
Foreword
1. Bruegel's 'Justice': anachronic time
2. Reynolds's justice, Blackstone's laws: diachronic time
3. Governor Arthur's proclamation: utopian time
4. Turner's 'Slave Ship': now time
5. Klimt's 'Jurisprudence': suspended time
6. Bennett's laws: colonial time
7. Cauduro's crimes: ectoplasmic time
Afterword.
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