Feminist Views on the English Stage
Women Playwrights, 1990–2000
£30.99
Part of Cambridge Studies in Modern Theatre
- Author: Elaine Aston, Lancaster University
- Date Published: August 2010
- availability: Available
- format: Paperback
- isbn: 9780521804677
£
30.99
Paperback
Other available formats:
Hardback, eBook
Looking for an inspection copy?
This title is not currently available on inspection
-
Feminist Views on the English Stage, first published in 2003, is an exciting and insightful study on drama from a feminist perspective, one that challenges an idea of the 1990s as a 'post-feminist' decade and pays attention to women's playwriting marginalized by a 'renaissance' of angry young men. Working through a generational mix of writers, from Sarah Kane, the iconoclastic 'bad girl' of the stage, to the 'canonical' Caryl Churchill, Elaine Aston charts the significant political and aesthetic changes in women's playwriting at the century's end. Aston also explores writing for the 1990s in theatre by Sarah Daniels, Bryony Lavery, Phyllis Nagy, Winsome Pinnock, Rebecca Prichard, Judy Upton and Timberlake Wertenbaker.
Read more- Offers insights into women's playwriting by examining drama through a feminist lens
- Provides an antidote to the emphasis on the 1990s as the 'boys' decade'
- Presents a generational mix of writers from the iconoclastic 'bad girl of the stage', Sarah Kane, to the 'canonical' Caryl Churchill
Reviews & endorsements
Review of the hardback: '… played a valuable part in revaluing what 'Britain' might mean today.' Plays International
See more reviewsReview of the hardback: 'The 1990s was not women's decade in the theatre after all, but the fact that not much has changed in the first four years of the new decade makes Aston's book urgent, relevant reading.' The Times Literary Supplement
Review of the hardback: 'The book is to be commended for its range of plays … a very readable study. Its chronological structure is easy to follow … The book is given a popular appeal that goes beyond people studying or researching theatre as the readings are pertinently linked to popular culture and events reported in the media. …anyone who lived through the era would find this book interesting and accessible … This exciting book blends the old with the new and the familiar faces of feminism with the newly emerging forces. It offers a clear analysis of the development of feminist theatre in the 1990s and gives insights into how we can continue to build on it in the twenty-first century. A must read for anyone interested in contemporary English drama.' Contemporary Theatre Review
Customer reviews
Not yet reviewed
Be the first to review
Review was not posted due to profanity
×Product details
- Date Published: August 2010
- format: Paperback
- isbn: 9780521804677
- length: 250 pages
- dimensions: 229 x 152 x 14 mm
- weight: 0.37kg
- availability: Available
Table of Contents
Acknowledgements
1. A feminist view on the 1990s
2. Telling feminist tales: Caryl Churchill
3. Saying no to daddy: child sexual abuse, the 'Big Hysteria'
4. Girl power, the new feminism?
5. The 'bad girl of our stage?': Sarah Kane
6. Performing identities
7. Feminist connections to a multicultural 'scene'
8. Feminism past, and future?: Timberlake Wertenbaker
9. Tales for the twenty-first century: final reflections
Bibliography
Index.
Sorry, this resource is locked
Please register or sign in to request access. If you are having problems accessing these resources please email lecturers@cambridge.org
Register Sign in» Proceed
You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner www.ebooks.com. Please see the permission section of the www.ebooks.com catalogue page for details of the print & copy limits on our eBooks.
Continue ×Are you sure you want to delete your account?
This cannot be undone.
Thank you for your feedback which will help us improve our service.
If you requested a response, we will make sure to get back to you shortly.
×