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Chekhov: The Cherry Orchard

Chekhov: <I>The Cherry Orchard</I>

Chekhov: <I>The Cherry Orchard</I>

James N. Loehlin, University of Texas, Austin
September 2006
Available
Paperback
9780521533300
£28.00
GBP
Paperback
GBP
Hardback

    Chekhov's masterpiece, about a Russian family losing its ancestral home, combines a lament for a vanishing past with a hopeful dream of the future. In the century since its first performance, The Cherry Orchard has undergone a wide range of conflicting interpretations: tragic and comic, naturalistic and symbolic, reactionary and radical. Beginning with the 1904 premiere at Stanislavsky's Moscow Art Theatre, this study traces the performance history of one of the landmark plays of the modern theatre. Considering the work of such directors as Anatoly Efros, Giorgio Strehler, Peter Brook, and Peter Stein, Chekhov: The Cherry Orchard explores the way different artists, periods and cultures have reinvented Chekhov's poignant comedy of failure and hope.

    • Chapters focus on important productions from different eras in the play's history
    • Examines the text of the play from a performance perspective
    • Introduces the reader to conflicting interpretations of the play, considering a wide range of directors

    Product details

    September 2006
    Paperback
    9780521533300
    262 pages
    215 × 150 × 15 mm
    0.36kg
    13 b/w illus.
    Available

    Table of Contents

    • Introduction
    • 1. The Cherry Orchard: text and performance
    • 2. The Moscow Art Theatre production, 1904
    • 3. Russian and Soviet performances, 1904–53
    • 4. The Cherry Orchard in English: early productions
    • 5. The Cherry Orchard at mid-century: Barrault, Saint-Denis, Strehler
    • 6. Radical revisions, 1975–7
    • 7. Brook and Stein, 1981–97
    • 8. The Cherry Orchard after one hundred years
    • Works cited.
      Author
    • James N. Loehlin , University of Texas, Austin

      James N. Loehlin is currently Director of the Shakespeare at Winedale program at the University of Texas, and is a recipient of the Harry Ransom Teaching Award in the College of Liberal Arts. He is the editor of Romeo and Juliet in the Cambridge Shakespeare in Production series (2002), and of Henry V (Shakespeare in Performance, 1996).