Theatre Matters
Performance and Culture on the World Stage
£41.99
Part of Cambridge Studies in Modern Theatre
- Editors:
- Richard Boon, University of Leeds
- Jane Plastow, University of Leeds
- Date Published: December 1998
- availability: Available
- format: Paperback
- isbn: 9780521634434
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Theatre, in a variety of forms and contexts, can make, and indeed has made, positive political and social interventions in a range of developing cultures across the world. In this book a distinguished team of theatre historians and dramatists explores how theatre has a dynamic and often difficult relationship with societies and states, arguing positively that theatrical activity can make a difference. The collection begins with a foreword by Wole Soyinka and, through the volume, specially chosen plays, projects and movements are examined, embracing a variety of theatrical forms from conventional text to on-site developmental work. The communities addressed range from the national to the local, from middle-class elites to the economically dispossessed in countries such as Brazil and Argentina, Nigeria, Eritrea and South Africa, and India and the Caribbean countries.
Read more- A distinguished list of contributors including Wole Soyinka (Nobel Prize winner for Literature), Femi Osofisan and Jatinder Verma
- Topic studied by undergraduate students; may also appeal to the general reader
- International, multi-cultural context
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×Product details
- Date Published: December 1998
- format: Paperback
- isbn: 9780521634434
- length: 228 pages
- dimensions: 229 x 152 x 13 mm
- weight: 0.34kg
- availability: Available
Table of Contents
Foreword: a letter from Kingston Wole Soyinka
1. Introduction Jane Plastow
2. 'The Revolution as Muse': drama as surreptitious insurrection in a post-colonial, military state Femi Osofisan
3. Making theatre for a change: two plays of the Eritrean liberation struggle Jane Plastow and Solomon Tsehaye
4. Race matters in South African theatre Ian Steadman
5. Dreams of violence: moving beyond colonialism in Canadian and Caribbean drama Christopher Innes
6. The French-speaking Caribbean: journeying from the native land Carole-Anne Upton
7. 'Binglishing' the stage: a generation of Asian theatre in England Jatinder Verma
8. Popular theatre for the building of social awareness: the Indian experience Jacob Srampickal and Richard Boon
9. The promise of performance: True Love/Real Love Paul Heritage
10. Making America or making revolution: the theatre of Ricardo Halac in Argentina George Woodyard.
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