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Roberto Rossellini's Rome Open City

Roberto Rossellini's <I>Rome Open City</I>

Roberto Rossellini's <I>Rome Open City</I>

Sidney Gottlieb, Sacred Heart University, Connecticut
September 2004
Available
Paperback
9780521545198

    Roberto Rossellini's Rome Open City instantly, markedly, and permanently changed the landscape of film history. Made at the end of World War II, it has been credited with initiating a revolution in and reinvention of modern cinema, bold claims that are substantiated when its impact on how films are conceptualized, made, structured, theorized, circulated, and viewed is examined. This 2004 volume offers a fresh look at the production history of Rome Open City; some of its key images, and particularly its representation of the city and various types of women; its cinematic influences and affinities; the complexity of its political dimensions, including the film's vision of political struggle and the political uses to which the film was put; and the legacy of the film in public consciousness. It serves as a well illustrated, up to date, and accessible introduction to one of the major achievements of filmmaking.

    • Comprehensive - addresses a wide variety of key topics including the film's origin, influence, distinctive style, and use of gender
    • Accessible - readable and well-suited towards students and audiences interested in film
    • Authoritative - contributors are leading scholars on Rossellini and Italian film

    Product details

    September 2004
    Paperback
    9780521545198
    206 pages
    227 × 152 × 14 mm
    0.29kg
    23 b/w illus.
    Available

    Table of Contents

    • Introduction: Open City: reappropriating the old, making the new Sidney Gottlieb
    • 1. Rossellini, Open City, and neorealism Sidney Gottlieb
    • 2. The making of Roma città aperta: the legacy of fascism and the birth of neorealism Peter Bondanella
    • 3. Celluloide and the palimpsest of cinematic memory: Carlo Lizzani's film of the story behind Open City Millicent Marcus
    • 4. Diverting clichés: femininity, masculinity, melodrama, and neorealism in Open City Marcia Landy
    • 5. Space, rhetoric, and the divided city in Roma città aperta David Forgacs
    • 6. Mourning, melancholia, and the popular front: Roberto Rossellini's beautiful revolution Michael P. Rogin
    • Reviews of Open City
    • Filmography.
      Contributors
    • Sidney Gottlieb, Peter Bondanella, Millicent Marcus, Marcia Landy, David Forgacs, Michael P. Rogin

    • Editor
    • Sidney Gottlieb , Sacred Heart University, Connecticut

      Sidney Gottlieb is Professor of English and Media Studies at Sacred Heart University in Fairfield, Connecticut. He has edited Hitchcock on Hitchcock: Selected Writings and Interviews and Framing Hitchcock: Essays from the Hitchcock Annual, and serves as Co-Editor of the Hitchcock Annual.