New Theatre Quarterly 69
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies. Articles in volume 69 include: Cue for Passion: on the Dynamics of Shakespearean Acting; In Search of the Lost Mode: Improvisation and All That Jazz; Still In Yer Face? Towards a Critique and a Summation; The Acteon Complex: Gaze, Body, and Rites of Passage in Hedda Gabler; The RSC Goes Walkabout: The Dillen in Stratford, 1983; After Grotowski – the Next Generation; The Ventriloquial Paradox: George Steiner's The Portage to San Cristobal of A. H.
Product details
December 2002Paperback
9780521013147
96 pages
248 × 175 × 7 mm
0.217kg
10 b/w illus.
Available
Table of Contents
- Cue for Passion: on the Dynamics of Shakespearean Acting Charles Marowitz
- In Search of the Lost Mode: Improvisation and All That Jazz Clive Barker
- Still In Yer Face? Towards a Critique and a Summation Aleks Sierz
- The Acteon Complex: Gaze, Body, and Rites of Passage in Hedda Gabler Erik Østerud
- The RSC Goes Walkabout: The Dillen in Stratford, 1983 Catherine Prentice and Helena Leongamornlert
- After Grotowski – the Next Generation Paul Allain
- The Ventriloquial Paradox: George Steiner's The Portage to San Cristobal of A. H. Nick White.