Roberto Rossellini's Rome Open City
£15.99
Part of Cambridge Film Handbooks
- Editor: Sidney Gottlieb, Sacred Heart University, Connecticut
- Date Published: September 2004
- availability: Available
- format: Paperback
- isbn: 9780521545198
£
15.99
Paperback
Other available formats:
Hardback, eBook
Looking for an inspection copy?
This title is not currently available on inspection
-
Roberto Rossellini's Rome Open City instantly, markedly, and permanently changed the landscape of film history. Made at the end of World War II, it has been credited with initiating a revolution in and reinvention of modern cinema, bold claims that are substantiated when its impact on how films are conceptualized, made, structured, theorized, circulated, and viewed is examined. This 2004 volume offers a fresh look at the production history of Rome Open City; some of its key images, and particularly its representation of the city and various types of women; its cinematic influences and affinities; the complexity of its political dimensions, including the film's vision of political struggle and the political uses to which the film was put; and the legacy of the film in public consciousness. It serves as a well illustrated, up to date, and accessible introduction to one of the major achievements of filmmaking.
Read more- Comprehensive - addresses a wide variety of key topics including the film's origin, influence, distinctive style, and use of gender
- Accessible - readable and well-suited towards students and audiences interested in film
- Authoritative - contributors are leading scholars on Rossellini and Italian film
Customer reviews
Not yet reviewed
Be the first to review
Review was not posted due to profanity
×Product details
- Date Published: September 2004
- format: Paperback
- isbn: 9780521545198
- length: 206 pages
- dimensions: 227 x 152 x 14 mm
- weight: 0.29kg
- contains: 23 b/w illus.
- availability: Available
Table of Contents
Introduction: Open City: reappropriating the old, making the new Sidney Gottlieb
1. Rossellini, Open City, and neorealism Sidney Gottlieb
2. The making of Roma città aperta: the legacy of fascism and the birth of neorealism Peter Bondanella
3. Celluloide and the palimpsest of cinematic memory: Carlo Lizzani's film of the story behind Open City Millicent Marcus
4. Diverting clichés: femininity, masculinity, melodrama, and neorealism in Open City Marcia Landy
5. Space, rhetoric, and the divided city in Roma città aperta David Forgacs
6. Mourning, melancholia, and the popular front: Roberto Rossellini's beautiful revolution Michael P. Rogin
Reviews of Open City
Filmography.
Sorry, this resource is locked
Please register or sign in to request access. If you are having problems accessing these resources please email lecturers@cambridge.org
Register Sign in» Proceed
You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner www.ebooks.com. Please see the permission section of the www.ebooks.com catalogue page for details of the print & copy limits on our eBooks.
Continue ×Are you sure you want to delete your account?
This cannot be undone.
Thank you for your feedback which will help us improve our service.
If you requested a response, we will make sure to get back to you shortly.
×