English Authorship and the Early Modern Sublime

Patrick Cheney's new book places the sublime at the heart of poems and plays in late sixteenth- and early seventeenth-century England. Specifically, Cheney argues for the importance of an 'early modern sublime' to the advent of modern authorship in Spenser, Marlowe, Shakespeare, and Jonson. Chapters feature a model of creative excellence and social liberty that helps explain the greatness of the English Renaissance. Cheney's argument revises the received wisdom, which locates the sublime in the eighteenth-century philosophical 'subject'. The book demonstrates that canonical works like The Faerie Queene and King Lear reinvent sublimity as a new standard of authorship. This standard emerges not only in rational, patriotic paradigms of classical and Christian goodness but also in the eternizing greatness of the author's work: free, heightened, ecstatic. Playing a centralizing role in the advent of modern authorship, the early modern sublime becomes a catalyst in the formation of an English canon.

• The first book to place the sublime at the heart of poems and plays in late sixteenth- and early seventeenth-century England
• Links recent work on the classical or medieval sublime and the modern sublime
• Introduces a new model of authorship featuring an aesthetics of sublimity focussing on writers such as Edmund Spenser, Christopher Marlowe, William Shakespeare, and Ben Jonson