Other available formats:
Looking for an examination copy?
This title is not currently available for examination. However, if you are interested in the title for your course we can consider offering an examination copy. To register your interest please contact firstname.lastname@example.org providing details of the course you are teaching.
Alan Dessen samples about four hundred manuscripts and printed plays to record the original staging conventions of the age of Shakespeare. After studying the stage properties, movements and configurations implicit in recurrent phrases and stage directions, he concludes that Elizabethan spectators, less concerned with realism than later generations, were used to receiving a kind of theatrical shorthand transmitted by the actors from the playwright. Professor Dessen both describes this shorthand (e.g. the use of nightgowns, boots and dishevelled hair) and draws attention to the implications of his findings for modern interpreters, addressing not only critics and teachers but also editors, actors and directors.
Reviews & endorsements
'The work makes a useful contribution to both theatre history and dramatic criticism … Dessen's kind of analysis offers an escape from the straitjacket of character criticism in particular for it will encourage the study of scenic form and thereby make students aware of all that is not 'personality'.' The Times Higher Education SupplementSee more reviews
' … presented with vigorous clarity, his experience of modern productions demonstrates his concern with the continuing stage life of the plays he discusses.' The Times Literary Supplement
Not yet reviewed
Be the first to review
Review was not posted due to profanity×
- Date Published: February 1986
- format: Paperback
- isbn: 9780521311618
- length: 204 pages
- dimensions: 216 x 138 x 15 mm
- weight: 0.265kg
- availability: Available
Table of Contents
Note on texts and old spelling
1. The arrow in Nessus: Elizabethan clues and modern detectives
2. Interpreting stage directions
3. The logic of 'this' on the open stage
4. Elizabethan darkness and modern lighting
5. The logic of 'place' and locale
6. The logic of stage violence
7. Theatrical metaphor: seeing and not-seeing
8. Conclusion: Elizabethan playscripts and modern interpreters
List of plays and editions
Sorry, this resource is locked
Please register or sign in to request access. If you are having problems accessing these resources please email email@example.comRegister Sign in
You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner www.ebooks.com. Please see the permission section of the www.ebooks.com catalogue page for details of the print & copy limits on our eBooks.Continue ×
Are you sure you want to delete your account?
This cannot be undone.
Thank you for your feedback which will help us improve our service.
If you requested a response, we will make sure to get back to you shortly.×