Looking for an examination copy?
This title is not currently available for examination. However, if you are interested in the title for your course we can consider offering an examination copy. To register your interest please contact email@example.com providing details of the course you are teaching.
From the Hamlet acted on a galleon off Africa to the countless outdoor productions of A Midsummer Night's Dream that now defy each English summer, Shakespeare and Amateur Performance explores the unsung achievements of those outside the theatrical profession who have been determined to do Shakespeare themselves. Based on extensive research in previously unexplored archives, this generously illustrated and lively work of theater history enriches our understanding of how and why Shakespeare's plays have mattered to generations of rude mechanicals and aristocratic dilettantes alike: from the days of the Theaters Royal to those of the Little Theater Movement, from the pioneering Winter's Tale performed in eighteenth-century Salisbury to the Merchant of Venice performed by Allied prisoners for their Nazi captors, and from the how-to book which transforms Mercutio into Yankee Doodle to the Napoleonic counterspy who used Richard III as a tool of surveillance.Read more
- Presents the first history of how Shakespeare's plays have been performed by non-professionals, revealing and analysing a wide, significant and previously unexplored dimension of Shakespeare's influence and afterlife
- Wide historical scope, considering examples from Shakespeare's lifetime to the present; therefore will be of interest and relevance to theatre historians of all periods since the Renaissance
- Based on significant primary research, this book reveals the unexpected tastes and priorities of generations of amateur performers and their audiences
Reviews & endorsements
"Shakespeare has ever been an exciting and irresistible challenge for amateur theater companies both in Britain and across the world. This affectionate treatise takes us through generations of unpaid performers from the early days of Theaters Royal to the present day clubs and societies. It is brilliantly researched and written with clarity and verve. A scholarly work by a man who obviously loves the theater, it will make fascinating reading for both professional and amateur performers alike."
Wendy CraigSee more reviews
"A groundbreaking and utterly fascinating study that transports us from shipboard performances of Hamlet off the coast of Africa in 1607, to future American president U. S. Grant playing Desdemona in 1845, to a staging of The Merchant of Venice by British prisoners of war at Stalag 383. Nobody understands the history of Shakespeare in performance - or how deeply four centuries of amateur productions have shaped our culture - better than Michael Dobson."
James Shapiro, Columbia University, author of 1599
"… [a] generous and fascinating study … Dobson continually reminds us that Shakespeare, far from being a stable ontological entity, is almost unrecognisably different in different contexts."
Andrew Dickson, Guardian
"Never patronising, Dobson writes movingly and wittily, stressing the slipperiness of the category of "amateur" … He offers a fascinating alternative history of Shakespeare, arguing that "in the era of YouTube … the long history of amateur Shakespeare" is "an important theatrical instance of user-created content" … Dobson's is a loving book, not in the obsequious manner of professional Bardolators, but in a way Nick Bottom the weaver would understand: "A very good piece of work, I assure you, and a merry.""
Willy Maley, Times Higher Education
"Michael Dobson has opened the lid of a treasure chest of gems. I suspect that many of us have underrated both the omnipresence and the historical significance of "amateur performance". But now, thanks to Dobson, I'm freshly aware of many activities that I'd overlooked, failing to connect them either with each other or with wider historical phenomena."
Katherine Duncan-Jones, Literary Review
"… stakes out a new and rich area of study, ranging from performances in aristocratic families to those by expatriates and prisoners of war, and examining outdoor and site specific performances."
Studies in English Literature
"This is indeed a groundbreaking monograph, which effectively ushers in a new field of research on amateur stagings, making up for its marginalization in academic studies."
Rosy Colombo, Memori Di Shakespeare
Not yet reviewed
Be the first to review
Review was not posted due to profanity×
- Date Published: June 2013
- format: Paperback
- isbn: 9781107613201
- length: 280 pages
- dimensions: 229 x 152 x 15 mm
- weight: 0.38kg
- contains: 28 b/w illus.
- availability: Available
Table of Contents
1. Shakespeare in private
2. Shakespeare in public
3. Shakespeare in exile
4. Shakespeare in the open
Sorry, this resource is locked
Please register or sign in to request access. If you are having problems accessing these resources please email firstname.lastname@example.orgRegister Sign in
You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner www.ebooks.com. Please see the permission section of the www.ebooks.com catalogue page for details of the print & copy limits on our eBooks.Continue ×
Are you sure you want to delete your account?
This cannot be undone.
Thank you for your feedback which will help us improve our service.
If you requested a response, we will make sure to get back to you shortly.×