Skip to content
Register Sign in Wishlist
Look Inside Theatre and Citizenship

Theatre and Citizenship
The History of a Practice

$44.99 (C)

  • Author: David Wiles, Royal Holloway, University of London
  • Date Published: July 2014
  • availability: Available
  • format: Paperback
  • isbn: 9781107428065

$ 44.99 (C)

Add to cart Add to wishlist

Other available formats:

Looking for an examination copy?

This title is not currently available for examination. However, if you are interested in the title for your course we can consider offering an examination copy. To register your interest please contact providing details of the course you are teaching.

Product filter button
About the Authors
  • Citizenship is a contested term which today inspires both policy-makers and radical activists. David Wiles traces this ideal to its classical roots, examining both theatre and citizenship as performative practices. Wiles examines how people function collectively rather than as individuals, for example through choruses or crowd behaviour in the auditorium. He explores historic tensions between the passivity of the spectator and the active engagement of a citizen, paying special attention to dramatists like Aristophanes, Machiavelli and Rousseau who have translated political theory into a theatre of, and for, active citizens. The book is a fresh investigation of familiar and less familiar landmarks of theatre history, revealing how plays function as social and political events. In this original approach to theatre history, Wiles argues that theatre is a powerful medium to build communities, and that attempts to use it as a vehicle for education are very often misplaced.

    • Provides a new historical interpretation of the relationship between theatre and politics, giving a fresh and thought-provoking picture of historical continuities
    • Addresses an issue of current social and political concern, showing why history matters to those concerned with contemporary political theatre-making
    • Although the book deals mainly with the work of playwrights, the focus is on performance rather than text, challenging familiar treatments of drama, politics and society
    Read more

    Customer reviews

    Not yet reviewed

    Be the first to review

    Review was not posted due to profanity


    , create a review

    (If you're not , sign out)

    Please enter the right captcha value
    Please enter a star rating.
    Your review must be a minimum of 12 words.

    How do you rate this item?


    Product details

    • Date Published: July 2014
    • format: Paperback
    • isbn: 9781107428065
    • length: 268 pages
    • dimensions: 229 x 152 x 14 mm
    • weight: 0.36kg
    • contains: 8 b/w illus.
    • availability: Available
  • Table of Contents

    1. Introduction: citizenship and theatre
    2. Athens: democracy and chorality - The Frogs - Plato and Aristotle
    3. Florence, Rome and Machiavelli: Machiavelli's political works - Cicero - Terence's Andria - The Mandrake and the Society of the Trowel - 'The Sunflower' in a politician's garden - coda: Goldoni, Ayckbourn and the comic genre
    4. From Coventry to London: Christian fraternity - the Weavers' Pageant in Coventry - Elizabethan London: Shakespeare and Heywood - John Milton and revolutionary tragedy
    5. Geneva: Rousseau versus Voltaire: Geneva - Rousseau - The Letter to d'Alembert - the battle for a public theatre - conclusion: two ideals
    6. Paris and the French Revolution: Brutus and the active citizen audience - tragedy as a school for citizens: the career of M. J. Chénier - the revolutionary festival - Diderot and bourgeois realism
    7. The people, the folk, and the modern public sphere: collectivism in pre-war Germany - the Indian People's Theatre Association - in search of the public sphere
    Epilogue: Washington's monuments to citizenship.

  • Author

    David Wiles, Royal Holloway, University of London
    David Wiles is Professor of Theatre at Royal Holloway, University of London. He has published extensively in the fields of classical and Elizabethan theatre, and his Short History of Western Performance Space was published by Cambridge University Press in 2003. This is his ninth book, and previous books have been shortlisted for the Criticos, Society for Theatre Research and Runciman prizes. He was a contributor to the Oxford Illustrated History of Theatre (1995) and is currently, with Christine Dymkowski, editing The Cambridge Companion to Theatre History. The focus of his teaching and research has always been the relation of theatre to society, particularly in respect of festival, and the present book builds on the breadth of his intellectual interests. Its genesis lies in a keynote lecture which he was invited to give to the International Federation for Theatre Research at the University of Maryland in 2005.

Sorry, this resource is locked

Please register or sign in to request access. If you are having problems accessing these resources please email

Register Sign in
Please note that this file is password protected. You will be asked to input your password on the next screen.

» Proceed

You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner Please see the permission section of the catalogue page for details of the print & copy limits on our eBooks.

Continue ×

Continue ×

Continue ×
warning icon

Turn stock notifications on?

You must be signed in to your Cambridge account to turn product stock notifications on or off.

Sign in Create a Cambridge account arrow icon

Find content that relates to you

Join us online

This site uses cookies to improve your experience. Read more Close

Are you sure you want to delete your account?

This cannot be undone.


Thank you for your feedback which will help us improve our service.

If you requested a response, we will make sure to get back to you shortly.

Please fill in the required fields in your feedback submission.