Other available formats:
Looking for an examination copy?
This title is not currently available for examination. However, if you are interested in the title for your course we can consider offering an examination copy. To register your interest please contact email@example.com providing details of the course you are teaching.
The 'ballet d'action' was one of the most successful and controversial forms of theatre in the early modern period. A curious hybrid of dance, mime and music, its overall and overriding intention was to create drama. It was danced drama rather than dramatic dance; musical drama rather than dramatic music. Most modern critical studies of the ballet d'action treat it more narrowly as stage dance, and very few view it as part of the history of mime. Little use has previously been made of the most revealing musical evidence. This innovative book does justice to the distinctive hybrid nature of the ballet d'action by taking a comparative approach, using contemporary literature and literary criticism, music, mime and dance from a wide range of English and European sources. Edward Nye presents a fascinating study of this important and influential part of eighteenth-century European theatre.Read more
- Takes an innovative, comparative approach, discussing theatre, mime, dance, music and literature, as opposed to previous studies of this subject which have taken a narrow view
- Presents an informative general introduction to certain forms of mime, as well as a specialised study of a specific form - the eighteenth-century 'ballet d'action'
- Provides an international viewpoint, referring to publications and stage works in English, French, Italian, German and Russian
Not yet reviewed
Be the first to review
Review was not posted due to profanity×
- Date Published: August 2011
- format: Hardback
- isbn: 9781107005495
- length: 340 pages
- dimensions: 244 x 170 x 21 mm
- weight: 0.74kg
- contains: 1 music example
- availability: Available
Table of Contents
Part I. The Ballet d'Action in Historical Context:
1. The voice and the body in the enlightenment
2. A revival of Roman pantomime?
3. No place for harlequin
4. Decroux and Noverre: distant cousins?
Part II. The Ballet d'Action in Close-Up: Dramatic Principles:
5. Character and action
6. Dialogues in mime
7. Choreography is painterly drama
8. The admirable consent between music and action
9. Putting performance into words
Sorry, this resource is locked
Please register or sign in to request access. If you are having problems accessing these resources please email firstname.lastname@example.orgRegister Sign in
You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner www.ebooks.com. Please see the permission section of the www.ebooks.com catalogue page for details of the print & copy limits on our eBooks.Continue ×
Are you sure you want to delete your account?
This cannot be undone.
Thank you for your feedback which will help us improve our service.
If you requested a response, we will make sure to get back to you shortly.×