Out of Print
Looking for an examination copy?
This title is not currently available for examination. However, if you are interested in the title for your course we can consider offering an examination copy. To register your interest please contact email@example.com providing details of the course you are teaching.
Ink plum (momei) has been one of the most admired and widely practised genres of ink painting in China, Japan and Korea throughout the last six hundred years. In this study, the first full account of momei, Maggie Bickford provides a comprehensive account of genre-formation in Chinese painting. Fully interdisciplinary in approach, it demonstrates how art-historical, literary, cultural, and political situations, groups and individuals, catalysed one another to produce the birth of a new painting genre and its codification. Moreover, Ink Plum: The Making of a Chinese Scholar-Painting Genre examines critically the transformation of the alternative-art of the Song scholar-elite into the self-proclaimed orthodoxy of later Chinese painting.Read more
- First full-scale comprehensive account of Chinese ink-plum painting
- First comprehensive case study of genre-formation in Chinese scholar painting
- A case study of a key Chinese painting genre that supplies the need for a fully detailed developmental model for the formative processes of Chinese scholar painting
Not yet reviewed
Be the first to review
Review was not posted due to profanity×
- Date Published: October 1996
- format: Hardback
- isbn: 9780521391528
- length: 366 pages
- dimensions: 287 x 223 x 28 mm
- weight: 1.395kg
- contains: 91 b/w illus. 4 tables
- availability: Unavailable - out of print July 1999
Table of Contents
Part I. Foundations of the Flowering-Plum Tradition:
1. The flowering plum in Chinese culture
2. A primer of the flowering plum idiom
3. The flowering plum aesthetic
Part II. The Flowering-Plum in Painting: Pre-Song and Northern Song Developments:
4. The flowering plum in pre-song and Northern song painting
5. Monochrome flower painting in the rustic and elegant modes
6. The flowering plum and the flowering of scholar-painting
Part III. The Birth of the Ink-Plum Genre and its Early Development:
7. The founder of a New Painting genre: Zhongren (d. 1123)
8. The completion of the formative process
9. A moment of balance, a moment of choice: the flowering plum in southern song painting
Part IV. Momei under the Mongols: the Re-formation of the Genre during the Yuan Period:
10. Momei under the Mongols
11. Yuan ink-plum thought and theory
12. Yuan ink-plum practice.
Sorry, this resource is locked
Please register or sign in to request access. If you are having problems accessing these resources please email firstname.lastname@example.orgRegister Sign in
You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner www.ebooks.com. Please see the permission section of the www.ebooks.com catalogue page for details of the print & copy limits on our eBooks.Continue ×
Are you sure you want to delete your account?
This cannot be undone.
Thank you for your feedback which will help us improve our service.
If you requested a response, we will make sure to get back to you shortly.×