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Pop Art and the Origins of Post-Modernism

Out of Print

Part of Contemporary Artists and their Critics

  • Date Published: August 2001
  • availability: Unavailable - out of print May 2009
  • format: Hardback
  • isbn: 9780521791151

Out of Print

Unavailable - out of print May 2009
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About the Authors
  • Pop Art and the Origins of Post-Modernism examines the critical reception of Pop Art in America during the 1960s. Comparing the ideas of New York-based critics such as Leo Steinberg, Susan Sontag, and Max Kozloff, Sylvia Harrison demonstrates how their ideas bear a striking similarity to the body of thought and opinion now associated with deconstructive postmodernism. Pop Art thus arises as not only a reflection of the dominance of mass communications and capitalist consumerism in postwar American society, but also a subversive commentary on worldviews and the factors necessary for their formation.

    • Examines the origins of postmodernism in visual art and visual art criticism
    • Compares various perspectives on pop art and analyzes the perspectives themselves
    • Focuses on the writings of key critics in the New York art world during the sixties
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    Product details

    • Date Published: August 2001
    • format: Hardback
    • isbn: 9780521791151
    • length: 288 pages
    • dimensions: 235 x 159 x 24 mm
    • weight: 0.535kg
    • availability: Unavailable - out of print May 2009
  • Table of Contents

    1. Postmodernist assumptions
    2. Lawrence Alloway: pop srt and the 'pop art-fine art continuum'
    3. Harold Rosenberg and the 'de-definition' of both art and self
    4. Leo Steinberg: pop, 'Post-Modernist' painting and the flatbed picture plane
    5. Barbara Rose: pop, pragmatism and 'prophetic pragmatism'
    6. Max Kozloff: a phenomenological solution to 'Warholism' and its disenfranchisement of the critic's interpretive and evaluative roles
    7. Susan Sontag: the aesthetics of silence and the new sensibility

  • Author

    Sylvia Harrison, La Trobe University, Victoria

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