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Reading the Material Theatre

Reading the Material Theatre

Reading the Material Theatre

Ric Knowles , University of Guelph, Ontario
July 2004
Available
Paperback
9780521644167

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    Ric Knowles develops and demonstrates a method of theatrical performance analysis involving the entire theater experience, from production to reception. Five case studies provide a first-step introduction to key terms and areas of performance theory. They include the cultural work performed by a major Shakespearean repertory theater, a small nationalist theater devoted to new play development, a major New York-based avant-garde touring theater company, and a British socialist company dedicated to the work of Shakespeare, as well as a range of international festivals.

    • Develops and applies a fully-contextualized method for the analysis of contemporary theatre
    • Includes detailed case studies of specific productions
    • Author is a leading scholar in the field and is well-known for his work on reception, staging, and Shakespeare

    Reviews & endorsements

    "the breadth and complexity with which this book surveys a range of contemporary experimentation in the English-speaking world is illuminating and provocative." - Shannon Jackson

    See more reviews

    Product details

    June 2004
    Hardback
    9780521643313
    248 pages
    216 × 140 × 16 mm
    0.44kg
    10 b/w illus.
    Available

    Table of Contents

    • List of illustrations
    • Acknowledgements
    • Introduction
    • Part I. Theory and Practice:
    • 1. Theory: towards a materialist semiotics
    • 2. Practice: conditions of production and reception
    • Conclusion to Part I
    • Part II. Case Studies:
    • 3. The Stratford Festival
    • 4. Tarragon Theatre
    • 5. The Wooster Group
    • 6. The English Shakespeare Company
    • 7. International festivals
    • Conclusion
    • Index.
      Author
    • Ric Knowles , University of Guelph, Ontario

      Ric Knowles is Professor of Drama at the School of English and Theatre Studies, University of Guelph, Ontario. He is author of Shakespeare and Canada: Essays on Production, Translation, and Adaptation. (2003) and The Theatre of Form and the Production of Meaning: Contemporary Canadian Dramaturgies (1999), editor of Theatre in Atlantic Canada (1988), and co-editor of Modern Drama: Defining the Field (2003) and Staging Coyote's Dream: An Anthology of First Nations Drama in English (2003).