Horror Film and Psychoanalysis
Freud's Worst Nightmare
$34.99 (G)
Part of Cambridge Studies in Film
- Editor: Steven Jay Schneider, New York University and Harvard University, Massachusetts
- Date Published: January 2009
- availability: Available
- format: Paperback
- isbn: 9780521107853
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This volume finds the proper place of psychoanalytic thought in critical analysis of cinema through a series of essays that debate its legitimacy, utility, and validity as applied to the horror genre. It distinguishes itself from previous work in this area through the self-consciousness with which psychoanalytic concepts are employed and the theorization that coexists with interpretations of particular horror films and subgenres.
Read more- Latest research and thinking in the application of psychoanalytic theory to the horror film
- Brings together scholars from different disciplines within the humanities and social sciences who have often-conflicting views on the subject
- Sophisticated, yet accessible treatment of horror cinema through the lens of psychoanalysis
Reviews & endorsements
"The essays in Horror Film and Psychoanalysis: Freud's Worst Nightmare are exemplary philosophical and aesthetic discussions, their complex and subtle arguments are both challenging and thought-provoking." Elizabeth Cowie, University of Kent
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×Product details
- Date Published: January 2009
- format: Paperback
- isbn: 9780521107853
- length: 320 pages
- dimensions: 229 x 152 x 18 mm
- weight: 0.47kg
- availability: Available
Table of Contents
Preface: what lies beneath? Robin Wood
Introduction: Psychoanalysis in/and/of the horror film Steven Jay Schneider
Part I. The Question of Horror-Pleasure:
1. 'What's the matter with Melanie?': reflections on the merits of psychoanalytic approaches to modern horror cinema Cosimo Urbano
2. A fun night out: horror and other pleasures of the cinema Michael Levine
3. Excerpt from 'Why Horror? The New Pleasures of a Popular Genre' (with a new afterword by the author) Andrew Tudor
4. Philosophical problems concerning the concept of pleasure for future psychoanalytical theories of (the horror) film Malcolm Turvey
Part II. Theorizing the Uncanny:
5. Explaining the uncanny in The Double Life of Véronique Cynthia Freeland
6. Manifestations of the literary double in modern horror cinema Steven Jay Schneider
7. Heimlich maneuvers: on a certain tendency of horror and speculative cinema Harvey Roy Greenberg
8. 'It was a dark and stormy night …': horror films and the problem of irony Jonathan L. Crane
Part III. Representing Psychoanalysis:
9. 'What does Dr. Judd want?': transformation, transference and divided selves in Cat People William Paul
10. 'Ultimate formlessness': cinema, horror, and the limits of meaning Michael Grant
11. Freud's worst nightmare: dining with Dr Hannibal Lecter Barbara Creed
Part IV. New Directions:
12. Doing things with theory: from Freud's worst nightmares to (disciplinary) dreams of horror's cultural value Matt Hills
13. The darker side of genius: the (horror) auteur meets Freud's theory Linda Badley
14. Violence and psychophysiology in horror cinema Stephen Prince
Afterword: psychoanalysis and the horror film Noël Carroll.
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