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Cassone Painting, Humanism and Gender in Early Modern Italy

Out of Print

Part of Cambridge Studies in New Art History and Criticism

Author: Cristelle L. Baskins, Tufts University, Massachusetts

Date Published: November 1998
availability: Unavailable - out of print August 2007
format: Hardback
isbn: 9780521583930

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Unavailable - out of print August 2007

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About the Authors

Overlooked in traditional studies of Italian art, cassone painting was nonetheless a popular genre in Early Renaissance Tuscany. In this study, Cristelle Baskins questions the traditional readings of these decorated chests as merely didactic or moralizing. She argues that the pieces performed an important role in the socialization and gender formation of women during the Renaissance. She demonstrates that cassone, which invariably depict exemplary women from classical mythology, invited a range of responses, ranging from coercion to pleasure.
- Focuses attention on domestic/secular art (often unrepresented in the history of Italian Renaissance art)
- Uses gender studies as a means of re-reading Renaissance Humanist texts and images
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"...she provides a wealth of thoroughly researched information regarding the heroines' stories..." Maria DePrano, Comitatus

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Product details
- Date Published: November 1998
- format: Hardback
- isbn: 9780521583930
- length: 278 pages
- dimensions: 263 x 186 x 23 mm
- weight: 0.95kg
- contains: 64 b/w illus.
- availability: Unavailable - out of print August 2007
Table of Contents
Introduction
Object lessons: a cassone in the Della Famiglia
1. Le Nozze di Emilia: Amazons, armed and beautiful
2. Dido: taking the gold out of Carthage
3. Camilla: Filialogy and the family romance
4. Hersilia and the sabine women: Piece-making
5. Lucretia: dangerous familiars
6. Virginia/Virginius: her body, himself.
Author
Cristelle L. Baskins, Tufts University, Massachusetts