Classical Rhetoric and the Visual Arts in Early Modern Europe
$50.99 (C)
- Author: Caroline Van Eck, Rijksuniversiteit Leiden, The Netherlands
- Date Published: August 2014
- availability: Available
- format: Paperback
- isbn: 9781107687851
$
50.99
(C)
Paperback
Other available formats:
Hardback
Looking for an examination copy?
This title is not currently available for examination. However, if you are interested in the title for your course we can consider offering an examination copy. To register your interest please contact collegesales@cambridge.org providing details of the course you are teaching.
-
In this book, Caroline van Eck examines how rhetoric and the arts interacted in early modern Europe. She argues that rhetoric, though originally developed for persuasive speech, has always used the visual as an important means of persuasion, and hence offers a number of strategies and concepts for visual persuasion as well. The book is divided into three major sections - theory, invention, and design. Van Eck analyzes how rhetoric informed artistic practice, theory, and perception in early modern Europe.
Read more- The first study to look at the role of rhetoric in the arts and architecture from an integrated perspective
- Considers both art and architecture
- Engages with, and builds on, recent developments in visual culture and visual theory studies
Reviews & endorsements
"This important new study draws on well-selected examples to explore the concepts derived from classical rhetoric in the arts and architecture of early modern Europe (15th-18th centuries)."
American Journal of ArchaeologySee more reviews"Caroline Van Eck is well known and well respected for her studies in the history and theory of architecture. … But here she cuts a wider swathe to include painting and sculpture in her examination of the role of rhetoric and the practices of classical rhetoric within what she calls the visual persuasion of the arts in Early Modern Europe. … [An] intelligent and suggestive study."
Bryn Mawr Classical Review"This is a fundamental book on an important but elusive subject. The author examines how the arts of persuasive oratory, well-known through writings by Aristotle, Cicero, and Quintilian, influenced the theory and practice of the visual arts and architecture in early modern Europe."
Renaissance QuarterlyCustomer reviews
Not yet reviewed
Be the first to review
Review was not posted due to profanity
×Product details
- Date Published: August 2014
- format: Paperback
- isbn: 9781107687851
- length: 238 pages
- dimensions: 251 x 175 x 15 mm
- weight: 0.59kg
- availability: Available
Table of Contents
Introduction: rhetoric and the visual
Part I. Theory:
1. Gesture, representation and persuasion in Alberti's De Pictura
2. Theoretical foundations of persuasive architecture: Barbaro, Spini and Scamozzi
Part II. Invention:
3. How to achieve persuasion in painting: the common ground
4. Visual persuasion in British architecture of the seventeenth and eighteenth centuries
Part III. Interpretation:
5. Rhetorical interpretation of the visual arts
6. Only the human can speak to man: rhetorical interpretations of architecture.
Sorry, this resource is locked
Please register or sign in to request access. If you are having problems accessing these resources please email lecturers@cambridge.org
Register Sign in» Proceed
You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner www.ebooks.com. Please see the permission section of the www.ebooks.com catalogue page for details of the print & copy limits on our eBooks.
Continue ×Are you sure you want to delete your account?
This cannot be undone.
Thank you for your feedback which will help us improve our service.
If you requested a response, we will make sure to get back to you shortly.
×