Ingres and his Critics
$120.00 (C)
- Author: Andrew Carrington Shelton, Ohio State University
- Date Published: October 2005
- availability: Available
- format: Hardback
- isbn: 9780521842433
$
120.00
(C)
Hardback
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Spanning his renunciation of the Salon in 1834 until his large retrospective at the crucial 1855 Universal Exposition, this book examines the critical writing and journalistic reportage on Jean-Auguste-Dominque Ingres. It demonstrates how Ingres shaped his career in the rapidly evolving art world of mid-nineteenth century Paris. While enjoying the benefits of his affiliation with the Academy, the artist also pursued certain modes of presentation, most notably the single-artist exhibition and illustrated monograph, through which he distanced himself from the embattled world of artistic officialdom.
Read more- Extensive consideration of articles and reviews that have never entered modern bibliographies on the artist
- Discussion of important but neglected episodes in the artist's career
- Translations of extensive passages of critical writing on Ingres, never before available in English
Reviews & endorsements
"An intriguing review of the artistry of Ingres and subsequent reception to his works." --International Art Treasures Art Magazine
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×Product details
- Date Published: October 2005
- format: Hardback
- isbn: 9780521842433
- length: 334 pages
- dimensions: 263 x 186 x 25 mm
- weight: 1.058kg
- contains: 54 b/w illus.
- availability: Available
Table of Contents
1. Le Martyre de Saint Symphorien at the 1834 Salon
2. La Stratonice
3. La Gloire a Domicile: the studio exhibitions of 1841–1842
4. The painter behind the canvas
5. The oeuvre de M. Ingres.
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