The Italian Renaissance in the German Historical Imagination, 1860–1930

'Martin Ruehl’s study is a model of modern intellectual history: accessible yet learned, soberly objective but politically astute, and focused on large cultural shifts without neglecting careful attention to nuance and detail. Thoughtfully illustrated and engagingly written, it will change how we think about ‘the Renaissance problem’ in the years between the Second and Third German Empires.' Robert E. Norton, University of Notre Dame, Indiana

'[Ruehl's] book is recommended to anyone wishing to understand the trajectories of this fascinating area of intellectual history.' Neil Gregor, The Art Newspaper

‘Martin Ruehl has written a lucid, intelligent and erudite study which, moreover, is beautifully illustrated.’ Henk de Berg, History Today

'Martin Ruehl opens his impressive study with two impressionistic vignettes that describe the respective journeys of Goethe and Thomas Mann to Italy and frame what he calls a ‘transformation in the German Geschichtsbild or historical imagination'. … tremendously compelling … This rich account of the diverse stages of the Renaissancebild opens new territory in intellectual history and promises a new perspective on the diverse political thinkers, who, at the time, were occupied with notions of political sovereignty, most notably Carl Schmitt. Furthermore, it offers a new perspective on a larger cultural obsession with the idea of the tyrant - and dictator - as intimately wed with our construction of modernity.' Michael K. House, German History

'The legacy of the late Georg G. Iggers graces The Italian Renaissance in the German Historical Imagination, 1860–1930, Martin A. Ruehl’s elegant exploration of the German idea of the Renaissance from Jacob Burckhardt to Hans Baron. … The book’s lavish illustrations supplement the literary, textual approach with an evocative glimpse at neo-Renaissance art and architecture.' Tuska Benes, The American Historical Review