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The Reformation of the Subject

The Reformation of the Subject

The Reformation of the Subject

Spenser, Milton, and the English Protestant Epic
Linda Gregerson, University of Michigan, Ann Arbor
December 2006
Available
Paperback
9780521034906

    The Reformation of the Subject is a study of the cultural contradictions that gave birth to the English Protestant epic. In lucid and theoretically sophisticated language, Linda Gregerson examines the fraught ideological, political and gender conflicts that are woven into the texture of The Faerie Queene and Paradise Lost. She reminds us that Reformation iconoclasts viewed verbal images with the same aversion as visual images, because they too were capable of waylaying the human imagination. Through a series of detailed readings, Gregerson examines the different strategies adopted by Spenser and Milton as they sought to distinguish their poems from idols yet preserve the shaping power that iconoclasts have long attributed to icons. Tracing the transformation of the epic poem into an instrument for the reformation of the political subject, Gregerson thus provides an illuminating contribution to our understanding of the ways in which subjectivities are historically produced.

    • Interesting exposition of the craft of Renaissance poetry in the context of postmodern theory
    • Subtle and sensitive readings of major poetic works by a critic who is also a highly-respected poet
    • Major addition to Cambridge Studies in Renaissance Literature and Culture series

    Reviews & endorsements

    "Here we have a detailed examination of literary style and achievement in epic poetry that brings Spenser and Milton more clearly into focus." Bibliotheque D'Humanisme

    "...a worthy 1990s response to the last two English poetic epics." Diane Parkin-Speer, Sixteenth Century Journal

    See more reviews

    Product details

    December 2006
    Paperback
    9780521034906
    296 pages
    228 × 152 × 17 mm
    0.445kg
    Available

    Table of Contents

    • Acknowledgments
    • Introduction
    • 1. Emerging likeness: Spenser's mirror sequence of love
    • 2. The closed image
    • 3. Narcissus interrupted: specularity and the subject of the Tudor state
    • 4. The mirror of romance
    • 5. Fault lines: Milton's mirror of desire
    • 6. Words made visible: the embodied rhetoric of Satan, Sin and Death
    • 7. Divine similitude: language in exile
    • List of works cited
    • Index.
      Author
    • Linda Gregerson , University of Michigan, Ann Arbor