Skip to content
Register Sign in Wishlist

Shakespeare, Alchemy and the Creative Imagination
The Sonnets and A Lover's Complaint

$53.99 (C)

  • Date Published: July 2014
  • availability: Available
  • format: Paperback
  • isbn: 9781107637740

$ 53.99 (C)
Paperback

Add to cart Add to wishlist

Other available formats:
Hardback, eBook


Looking for an examination copy?

This title is not currently available for examination. However, if you are interested in the title for your course we can consider offering an examination copy. To register your interest please contact collegesales@cambridge.org providing details of the course you are teaching.

Description
Product filter button
Description
Contents
Resources
Courses
About the Authors
  • Shakespeare's Sonnets and A Lover's Complaint constitute a rich tapestry of rhetorical play about Renaissance love in all its guises. A significant strand of this is spiritual alchemy: working the 'metal' of the mind through meditation on love, memory work and intense imagination. Healy demonstrates how this process of anguished soul work – construed as essential to inspired poetic making – is woven into these poems, accounting for their most enigmatic imagery and urgency of tone. The esoteric philosophy of late Renaissance Neoplatonic alchemy, which embraced bawdy sexual symbolism and was highly fashionable in European intellectual circles, facilitated Shakespeare's inscription of an interior drama of a desiring mind creating poetry. Arguing that Shakespeare's incorporation of alchemical textures throughout his late works is indicative of an artistic stance promoting religious toleration and unity, this book sets out a crucial new framework for interpreting the 1609 poems, and transforms our understanding of Shakespeare's art.

    • Proposes a new understanding of Shakespeare sonnets and A Lover's Complaint, seeing them as linked inner dramas about the creative mind
    • Clearly explains fashionable late Renaissance alchemy and its role in creative writing
    • Positions Shakespeare as an artist of religious toleration and unity, opening a new window of understanding onto Shakespeare's beliefs
    Read more

    Reviews & endorsements

    "Healy displaysconsiderable erudition in a broad array of topics, including Neoplatonism, esoteric, as well as practical alchemy, theological allegory, and much of the critical tradition of interpreting these poems."
    -Katherine Eggert,University of Colorado

    "...treats Shakespeare's poetry as an allegory of the alchemical processes of soul making."
    --Recent Studies in the English Renaissance

    See more reviews

    Customer reviews

    Not yet reviewed

    Be the first to review

    Review was not posted due to profanity

    ×

    , create a review

    (If you're not , sign out)

    Please enter the right captcha value
    Please enter a star rating.
    Your review must be a minimum of 12 words.

    How do you rate this item?

    ×

    Product details

    • Date Published: July 2014
    • format: Paperback
    • isbn: 9781107637740
    • length: 272 pages
    • dimensions: 229 x 152 x 15 mm
    • weight: 0.37kg
    • contains: 9 b/w illus.
    • availability: Available
  • Table of Contents

    Introduction
    1. Alchemical contexts
    2. Lovely boy
    3. The Dark Mistress and the art of blackness
    4. A Lover's Complaint by William Shakespeare
    5. Inner looking, alchemy and the creative imagination
    6. Conclusion: Shakespeare's poetics of love and religious toleration.

  • Author

    Margaret Healy, University of Sussex
    Margaret Healy is Reader in English and Director of the Centre for Early Modern Studies at the University of Sussex. She teaches many aspects of Renaissance literature and is particularly interested in the cultural history of the body and the interfaces among literature, medicine, science and art. She is the author of Fictions of Disease in Early Modern England: Bodies, Plagues and Politics (2001) and Richard II (1998), and the co-editor of Renaissance Transformations: The Making of English Writing, 1500–1650 (2009). She edits the new British Medical Journal, Medical Humanities.

Related Books

Sorry, this resource is locked

Please register or sign in to request access. If you are having problems accessing these resources please email lecturers@cambridge.org

Register Sign in
Please note that this file is password protected. You will be asked to input your password on the next screen.

» Proceed

You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner www.ebooks.com. Please see the permission section of the www.ebooks.com catalogue page for details of the print & copy limits on our eBooks.

Continue ×

Continue ×

Continue ×
warning icon

Turn stock notifications on?

You must be signed in to your Cambridge account to turn product stock notifications on or off.

Sign in Create a Cambridge account arrow icon
×

Find content that relates to you

Join us online

This site uses cookies to improve your experience. Read more Close

Are you sure you want to delete your account?

This cannot be undone.

Cancel

Thank you for your feedback which will help us improve our service.

If you requested a response, we will make sure to get back to you shortly.

×
Please fill in the required fields in your feedback submission.
×