Shakespeare Survey

Table of Contents

1. The commercial bard: business models for the 21st century Kathleen McLuskie
2. International innovation? Shakespeare as intercultural catalyst Emily Linnemann
3. Brand Shakespeare? Kate Rumbold
4. Global Shakespeare 2.0 and the task of the performance archive Alex Huang
5. An international database of Shakespeare on film, television and radio Olwen Terris
6. 'Sounds and sweet airs': music in Shakespearean performance history David Lindley
7. Using Shakespeare with memes, remixes, and fanfic Fran Teague
8. 'Pretty much how the internet works', or, aiding and abetting the deprofessionalization of Shakespeare studies Sharon O'Dair
9. Catalyzing what?: Remediation, history, and what of Love's Labour's lasts Diana Henderson
10. Kabuki Twelfth Night and Kyogen Richard III: Shakespeare as a cultural catalyst Shoichiro Kawai
11. The Sonnets as an open-source initiative Julie Sanders
12. 'A stage of the mind': Hamlet on post-war British radio Susanne Greenhalgh
13. Post-textual Shakespeare Douglas M. Lanier
14. I am what I am not: identifying with the Other in Othello Stephen Cohen
15. Desdemona's book, lost and found Roshni Mooneeram
16. Non-catalyst and marginal Shakespeares in the nineteenth-century revival of Catalan-speaking cultures Jesús Tronch-Pérez
17. Shakespeare, Mácha and Czech romantic historicism Martin Procházka
18. An Irish catalysis: W. B. Yeats and the uses of Shakespeare Andrew Murphy
19. François-Victor Hugo and the limits of cultural catalysis Ruth Morse
20. 'You taught me language': Shakespeare in India Poonam Trivedi
21. There is some soul of good: an action-centred approach to teaching Shakespeare in schools Jonothan Neelands and Jacqui O'Hanlon
22. The Royal Shakespeare Company as 'cultural chemist' Sarah Olive
23. Shakespeare at the white greyhound Adam Hooks
24. Dark matter: Shakespeare's foul dens and forests Charlotte Scott
25. What we hear, what we see: theatre for a new audience's 2009 Hamlet Bernice W. Kliman
26. Narrative of negativity: Whig historiography and the spectre of King James in Measure for Measure Kevin Quarmby
27. Québécois Shakespeare goes global: Robert Lepage's Coriolan Robert Ormsby
28. Endless mornings on endless faces: Shakespeare and Philip Larkin Peter Holbrook
29. Shakespeare performances in England 2010 Carol Chillington Rutter
30. Professional Shakespeare productions in the British Isles, January–December 2009 James Shaw
31. The year's contribution to Shakespeare studies: a. Critical studies reviewed by Julie Sanders
b. Shakespeare in performance reviewed by Pascale Aebischer
c. Editions and textual studies reviewed by Eric Rasmussen.

Look Inside

• Table of Contents (66 KB)
• Copyright Information Page (75 KB)
• Front Matter (115 KB)
• Index (265 KB)
• Marketing Excerpt (124 KB)