In this engaging new book, writer and critic Graham Holderness shows how a classic Shakespeare play can be the source for a modern story, providing a creative 'collision' between the Shakespeare text and contemporary concerns. Using an analogy from particle physics, Holderness tests his methodology through specific examples, structured in four parts: a recreation of performances of Hamlet and Richard II aboard the East India Company ship the Red Dragon in 1607; an imagined encounter between Shakespeare and Ben Jonson writing the King James Bible; the creation of a contemporary folk hero based on Coriolanus and drawing on films such as Skyfall and The Hurt Locker; and an account of the terrorist bombing at a performance of Twelfth Night in Qatar in 2005. These pieces of narrative and drama are interspersed with literary criticism, each using a feature of the original Shakespeare play or its performance to illuminate the extraordinary elasticity of Shakespeare. The 'tales' provoke questions about what we understand to be Shakespeare and not-Shakespeare, making the book of vital interest to students, scholars, and enthusiasts of Shakespeare, literary criticism and creative writing.Read more
- Develops an innovative method of literary criticism through creative writing, inspiring readers towards new practices in teaching and learning
- Offers both critical and creative responses to Shakespeare
- Takes familiar plays and sets them in new contexts, developing and broadening the reader's understanding of Shakespeare's place in the world
Reviews & endorsements
'Graham Holderness, who was given Lamb's Tales from Shakespeare as a child, here returns the compliment by writing tales for grown ups - and again shows that he is one of the few academics who can combine scholarship with creativity, criticism with fantasy, historical awareness with commitment to present-day issues. Anyone who thought that there was nothing further to say about the authenticity of the account of shipboard performances of two Shakespeare plays off the coast of Sierra Leone in 1607, or the likelihood of Shakespeare and Ben Jonson collaborating on the King James Bible, will be surprised at what Holderness does with the two controversies.' Lois Potter, University of DelawareSee more reviews
'One would have to be [a] hardened and humourless reader not to enjoy this engaging and interesting book.' Andrew Hadfield, Around the Globe
'In his long and distinguished career, Holderness has been retelling Shakespeare, and in multiple forms: criticism, biography, fiction and poetry, and now, with this book, in a literary category of his own invention. He names it 'creative criticism', and his Tales from Shakespeare puts it into practice.' Margreta de Grazia, The Times Literary Supplement
'An invigorating reimagining of individual works and of the critical process itself, and a bold contribution to theoretical debates involving Shakespeare, the text and popular culture.' Heather C. Easterling, Renaissance Quarterly
'Successfully 'colliding' in this volume are the creative and critical dimensions. Both coexist and merge, illustrating Holderness's main point: any activity linked to the name of Shakespeare - from the edition of texts to film adaptations, to advertisements and critical essays - exists in a continuum, and therefore must be studied as part of the system in order to understand the Shakespearean phenomenon.' Maria Elisa Montironi, Linguae
Not yet reviewed
Be the first to review
Review was not posted due to profanity×
- Date Published: July 2014
- format: Hardback
- isbn: 9781107071292
- length: 257 pages
- dimensions: 224 x 145 x 21 mm
- weight: 0.43kg
- availability: In stock
Table of Contents
Introduction: from appropriation to collision
1. The voyage of the Red Dragon
2. 'Shooting an elephant'
3. Shakespeare and the King James Bible
4. 'Wholly Writ': a play in two acts
5. The Coriolanus myth
6. 'The lonely dragon'
7. Shakespeare and 9/11
8. 'Rudely interrupted'
Afterword: 'Tales from Shakespeare'.
Sorry, this resource is locked
Please register or sign in to request access. If you are having problems accessing these resources please email email@example.comRegister Sign in
You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner www.ebooks.com. Please see the permission section of the www.ebooks.com catalogue page for details of the print & copy limits on our eBooks.Continue ×
Are you sure you want to delete your account?
This cannot be undone.
Thank you for your feedback which will help us improve our service.
If you requested a response, we will make sure to get back to you shortly.×