Decolonization

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Envoy to Apartheid: The Royal Ballet in South Africa, 1960

In late 1959, before the tour began, the company’s decision to leave behind its only dancer of colour, the South African-born soloist Johaar Mosaval, ignited parliamentary debates and media uproar... [my article] shows how ballet worked as a tool of British ‘soft power’, aiding the decolonizing state in its effort to shore up ties with white South Africans.

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