{"id":59200,"date":"2024-05-15T09:59:36","date_gmt":"2024-05-15T08:59:36","guid":{"rendered":"https:\/\/www.cambridge.org\/core\/blog\/?p=59200"},"modified":"2024-05-22T09:37:37","modified_gmt":"2024-05-22T08:37:37","slug":"cover-artwork-henrietta-graham","status":"publish","type":"post","link":"https:\/\/www.cambridge.org\/core\/blog\/2024\/05\/15\/cover-artwork-henrietta-graham\/","title":{"rendered":"Cover Artwork: Henrietta Graham"},"content":{"rendered":"<div id=\"bsf_rt_marker\"><\/div>\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>In the May 2024 edition of Muses \u2013 the arts blog from <em><a href=\"https:\/\/www.cambridge.org\/core\/journals\/bjpsych-international\" target=\"_blank\" rel=\"noopener\" title=\"\">BJPsych International<\/a><\/em> \u2013 Dr Tim McInerny, Pictures Editor, <a href=\"https:\/\/www.cambridge.org\/core\/journals\/bjpsych-international#:~:text=BJPsych%20International%20provides%20psychiatrists%20and,and%2Dmiddle%2Dincome%20countries.\" title=\"\"><em>BJPsych International<\/em><\/a> introduces Henrietta Graham, the artist whose work is on the cover of the <a href=\"https:\/\/www.cambridge.org\/core\/journals\/bjpsych-international\/issue\/D70C4E0F7AA662A97C3E469D6C036DB8\" title=\"\">May 2024 Issue<\/a> of <em>BJPsych International.<\/em><\/p>\n<\/blockquote>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"877\" height=\"1240\" src=\"https:\/\/www.cambridge.org\/core\/blog\/wp-content\/uploads\/2024\/05\/cover-5-877x1240.jpg\" alt=\"\" class=\"wp-image-59203 size-full\" srcset=\"https:\/\/www.cambridge.org\/core\/blog\/wp-content\/uploads\/2024\/05\/cover-5-877x1240.jpg 877w, https:\/\/www.cambridge.org\/core\/blog\/wp-content\/uploads\/2024\/05\/cover-5-297x420.jpg 297w, https:\/\/www.cambridge.org\/core\/blog\/wp-content\/uploads\/2024\/05\/cover-5-768x1086.jpg 768w, https:\/\/www.cambridge.org\/core\/blog\/wp-content\/uploads\/2024\/05\/cover-5-1086x1536.jpg 1086w, https:\/\/www.cambridge.org\/core\/blog\/wp-content\/uploads\/2024\/05\/cover-5-1448x2048.jpg 1448w, https:\/\/www.cambridge.org\/core\/blog\/wp-content\/uploads\/2024\/05\/cover-5.jpg 1810w\" sizes=\"auto, (max-width: 877px) 100vw, 877px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>Henrietta Graham<\/strong><\/p>\n\n\n\n<p>&#8216;<strong>Samuel Marino in The Italian Gardens\u2019 2024<\/strong><\/p>\n<\/div><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p>As pictures editor, I selected Henrietta Graham&#8217;s art for the May cover because of the power in her striking portrait of a gifted opera singer. Graham is fascinated by working people and this image is part of her series of artists including conductors and ballet dancers. Previous series have been of chefs, fishermen, and circus performers.<\/p>\n\n\n\n<p><strong>Henrietta Graham: \u2018Samuel Marino in The Italian Gardens\u2019 2024<\/strong><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><em>The most ordinary thing about Venezuelan Soprano Samuel Marino is that his voice never broke. He is remarkable in every way. This painting explores the duality of the old and scholastic with the new and avant- garde. From the Italian Gardens in Kensington, London, and the Vivienne Westwood Corset of Botticelli\u2019s Venus de Milo rising on Samuel&#8217;s chest, he strides the classical straight into modernity. The pose of the Roman state echoed in the grace of Samuel<\/em>.<\/p>\n<\/blockquote>\n\n\n\n<p>In 2019 Samuel Marino founded Ensemble Teseo were he aim to bring back forgotten baroque techniques and works to the mainstream operatic and concert stages.<\/p>\n\n\n\n<p>Henrietta Graham trained at Parsons School of Art in Paris and The Thomas Heatherly School of Fine Art in London. Graham has produced numerous acclaimed series of works with her paintings seen in solo exhibitions in London and internationally in group shows. Selected and exhibited by The Royal Society of Portrait Painters, The Royal Society of Marine Artists (prize-winner), The National Portrait Gallery, London and Leighton House, London, many of Graham\u2019s portraits are also held in private collections worldwide. A fearless and energetic artist, Graham immerses herself in her chosen subjects, setting up her easel in abattoirs and restaurant kitchens, sketching on trawlers and in bullrings, Theatres, Opera Houses and Circus tents- always seeking to gain a deeper understanding of the worlds and realities that her subjects inhabit. Painting predominantly from her large windswept studio overlooking the historic Cornish fishing port of Newlyn, Graham paints with oils on canvas, and also mixed media.<\/p>\n\n\n\n<p>This painting is part of Grahams current series exploring the Arts- she has been working with The Royal Ballet and Opera, actors, and Musicians- the series is presently ongoing and there will be an exhibition.<\/p>\n\n\n\n<p><a href=\"http:\/\/www.henriettagraham.com\/\" title=\"https:\/\/eur01.safelinks.protection.outlook.com\/?url=http%3A%2F%2Fwww.henriettagraham.com%2F&amp;data=05%7C02%7CBJPInternational%40rcpsych.ac.uk%7Ca3b08b6f260a418762fa08dc5a3f8da4%7C75aac48a29ab4230adac69d3e7ed3e77%7C0%7C0%7C638484476210483364%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C0%7C%7C%7C&amp;sdata=dQtf2RmwevqmMaNd43wg40Rsgkz%2FELNacy3y%2BBarDDc%3D&amp;reserved=0\">http:\/\/www.henriettagraham.com\/<\/a><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>Welcome to Muses \u2013 the arts blog from\u202f&nbsp;<em><a href=\"https:\/\/www.cambridge.org\/core\/journals\/bjpsych-international\">BJPsych International.<\/a>\u202f&nbsp;<\/em>Launched in March 2022, this new blog aims to\u202fhighlight international art and artists, particularly from low-and-middle-income countries, with a focus on mental health. We welcome submissions for consideration, such as, comments on artwork, visual arts, literature, drama, films, podcasts, and videos. Do have a look at the\u202f<a href=\"https:\/\/eur01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fwww.cambridge.org%2Fcore%2Fjournals%2Fbjpsych-international%2Finformation%2Finstructions-contributors%23Muses&amp;data=05%7C01%7CConnie.SantosSinclair%40RCPSYCH.ac.uk%7C44618d7dcefd4ac96eca08daac3893a7%7C75aac48a29ab4230adac69d3e7ed3e77%7C0%7C0%7C638011656256179590%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=04pdeVQvaVKEdfM%2Fe1nLH%2FJN%2BAruxn9II86W5x0OgXk%3D&amp;reserved=0\" target=\"_blank\" rel=\"noreferrer noopener\">instructions for blog authors<\/a>\u202ffor details on how to submit.&nbsp;General enquiries about the blog:\u202f<a href=\"mailto:BJPInternational@rcpsych.ac.uk\" target=\"_blank\" rel=\"noreferrer noopener\">BJPInternational@rcpsych.ac.uk<\/a>\u202f&nbsp;<\/p>\n\n\n\n<p> Dr Marinos Kyriakopoulos, Editor-in-Chief,&nbsp;<em>BJPsych International<\/em><\/p>\n<\/blockquote>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the May 24 edition of Muses \u2013 the arts blog from BJPsych International \u2013 Dr Tim McInerny, Pictures Editor, BJPsych International introduces Henrietta Graham, the artist whose work is on the cover of the May 2023 Issue latest edition of BJPsych International.<\/p>\n","protected":false},"author":884,"featured_media":59209,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[270,2582,332,9705,275],"coauthors":[9780],"class_list":["post-59200","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-psych","tag-art","tag-bjpsych-international","tag-mental-health","tag-muses-the-arts-blog","tag-opera"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.cambridge.org\/core\/blog\/wp-json\/wp\/v2\/posts\/59200","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cambridge.org\/core\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cambridge.org\/core\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cambridge.org\/core\/blog\/wp-json\/wp\/v2\/users\/884"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cambridge.org\/core\/blog\/wp-json\/wp\/v2\/comments?post=59200"}],"version-history":[{"count":12,"href":"https:\/\/www.cambridge.org\/core\/blog\/wp-json\/wp\/v2\/posts\/59200\/revisions"}],"predecessor-version":[{"id":59289,"href":"https:\/\/www.cambridge.org\/core\/blog\/wp-json\/wp\/v2\/posts\/59200\/revisions\/59289"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cambridge.org\/core\/blog\/wp-json\/wp\/v2\/media\/59209"}],"wp:attachment":[{"href":"https:\/\/www.cambridge.org\/core\/blog\/wp-json\/wp\/v2\/media?parent=59200"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cambridge.org\/core\/blog\/wp-json\/wp\/v2\/categories?post=59200"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cambridge.org\/core\/blog\/wp-json\/wp\/v2\/tags?post=59200"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.cambridge.org\/core\/blog\/wp-json\/wp\/v2\/coauthors?post=59200"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}