To celebrate the ratification of the new Federal Constitution, Federalist Francis Hopkinson composed “The Raising: A New Song for Federal Mechanics.” In one verse he exhorted America’s artisans to rally to the Constitution’s standard. In Hopkinson’s musical ode, citizens mustered with their tools, not muskets.

Hopkinson also helped stage Philadelphia’s elaborate procession in honor of the Constitution. As many as 5,000 marchers representing the city’s many trades, professions, and different religious denominations assembled to demonstrate their support. Similar but less elaborate parades and celebrations occurred in other cities and towns. These carefully staged rituals were designed to symbolize harmony and promote consensus in the wake of the sometimes bitter ratification debates. Although these public displays of consensus never managed to obliterate fully the lingering traces of Anti-Federalist antagonism and suspicion, the rapid acceptance of the Constitution was nothing short of remarkable given the rancor of the ratification process. Even in Rhode Island, a strongly Anti-Federalist state that would not ratify the Constitution for almost two years, the new language of American constitutionalism permeated public discourse. Thus, one commentator observed that in Rhode Island “every friend of liberty” was “putting on the appearance of Federalism.”