Book contents
- A History of the Literature of the U.S. South
- A History of the Literature of the U.S. South
- Copyright page
- Contents
- Contributors
- Acknowledgements
- Introduction
- Chapter 1 Fictions of the Native South
- Chapter 2 John Smith and the English Origins of Southern Exceptionalism
- Chapter 3 Plantation and Enlightenment
- Chapter 4 Geoconfederacy
- Chapter 5 In the Shadow of His Office
- Chapter 6 Shadows of Haiti
- Chapter 7 “Midnight Bakings” Amid Starvation
- Chapter 8 A Calculated Fiction
- Chapter 9 Maroons and Marronage in Antebellum African American Literature
- Chapter 10 Everyday Literary Culture in the Nineteenth Century
- Chapter 11 Fables of the Bloody Shirt
- Chapter 12 A Heritage Unique in the Ages
- Chapter 13 Moonlight and Magnolias No More
- Chapter 14 Women Writers and the Southern Renaissance; or, the Work of Gender in Literary Periodization
- Chapter 15 Southern Geographies and New Negro Modernism
- Chapter 16 “A fine loud grabble and snatch of AAA and WPA”
- Chapter 17 Provincialism as a Positive Good
- Chapter 18 Faulkner’s Untimely Fiction
- Chapter 19 Reconsidering Du Bois’s “Central Text”
- Chapter 20 Cultural Activism and Theater of the Civil Rights Movement
- Chapter 21 Till the Hurt Becomes Music
- Chapter 22 Undead Sound
- Chapter 23 There Is No South
- Chapter 24 Hurricane Alley
- Select Bibliography
- Index
Chapter 12 - A Heritage Unique in the Ages
The Politics of Black Southern Womanhood in Anna Julia Cooper’s A Voice from the South by a Black Woman from the South
Published online by Cambridge University Press: 29 April 2021
- A History of the Literature of the U.S. South
- A History of the Literature of the U.S. South
- Copyright page
- Contents
- Contributors
- Acknowledgements
- Introduction
- Chapter 1 Fictions of the Native South
- Chapter 2 John Smith and the English Origins of Southern Exceptionalism
- Chapter 3 Plantation and Enlightenment
- Chapter 4 Geoconfederacy
- Chapter 5 In the Shadow of His Office
- Chapter 6 Shadows of Haiti
- Chapter 7 “Midnight Bakings” Amid Starvation
- Chapter 8 A Calculated Fiction
- Chapter 9 Maroons and Marronage in Antebellum African American Literature
- Chapter 10 Everyday Literary Culture in the Nineteenth Century
- Chapter 11 Fables of the Bloody Shirt
- Chapter 12 A Heritage Unique in the Ages
- Chapter 13 Moonlight and Magnolias No More
- Chapter 14 Women Writers and the Southern Renaissance; or, the Work of Gender in Literary Periodization
- Chapter 15 Southern Geographies and New Negro Modernism
- Chapter 16 “A fine loud grabble and snatch of AAA and WPA”
- Chapter 17 Provincialism as a Positive Good
- Chapter 18 Faulkner’s Untimely Fiction
- Chapter 19 Reconsidering Du Bois’s “Central Text”
- Chapter 20 Cultural Activism and Theater of the Civil Rights Movement
- Chapter 21 Till the Hurt Becomes Music
- Chapter 22 Undead Sound
- Chapter 23 There Is No South
- Chapter 24 Hurricane Alley
- Select Bibliography
- Index
Summary
Anna Julia Cooper’s 1892 A Voice from the South by a Black Woman from the South was prophetic in its formulation of a critical intersectional methodology to codify and analyze the oppressions black women confronted at the nexus of the post-Reconstruction South and nation. Framing herself as representative of region and nation and emissary of blackness and woman-ness, throughout the text Cooper locates herself and the black women for whom she speaks within complex and interchanging matrices of blackness, woman-ness, southernness, and U.S. nationalism. This chapter explores how Cooper’s intersectional critique of race, gender, region, nation, and empire is impelled by her centralization of the experiences and potential of black women in the South. Cooper’s understanding of the interlocking logics of patriarchy, racial purity, and U.S.-southern supremacy was shaped by her rejection of eugenics and sexology, pseudo-scientific ideologies which shaped thinking on race and gender – and thus on region and nation – in the U.S. at the turn of the century. Ultimately, Cooper’s critical intellectual response emphasizes and develops radical black southern mothering as the root of emancipatory social praxis.
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- A History of the Literature of the U.S. South , pp. 203 - 214Publisher: Cambridge University PressPrint publication year: 2021